强拍与约束音系学是建立在超音段音系学基础上的理论，与语音配列的关系十分密切。
Beats-and-Binding Phonology, a theory incorporated in suprasegmental phonology, is closely related to phonotactics.
只是在每个强拍上加一个整数
但这种转换通常都是在强拍上发生。
会有两个弱拍或者说是非强拍,存在于每个强拍间
There would be two weak beats or two unstressed beats between each strong beat.
我是唱弱拍还是唱强拍？
这是怎么回事呢？在强拍之前还有一些音。
Well, there are four principal ways that composers signal to us the whereabouts of the down beat.
但是他，事实上，把强拍的音提前了一拍，在这个位置添加了一丝刺激。
But he brings, in effect, the sound of the downbeat in a beat early, gives it a little bit of pep there at that particular point.
我们想要强调这个切分，然后，当然，在强拍的位置就不发声了，这才构成切分音。
So, we wanted to bang that syncopation and then, of course, there's no sound on the downbeat over here to make the syncopation work.
在这一点上，强拍与约束音系学比音节理论、CV理论、X理论和莫拉理论都略高一筹。
In this aspect, Beats-and-Binding Phonology is considered superior to syllable theory, CV theory, X theory and mora theory.
比利·泰勒曾经获得过《强拍》杂志评出的终身成就奖，并且被国际爵士乐教育协会列入其名人纪念馆。
Billy Taylor received "Down Beat" magazine's Lifetime Achievement Award, and he was inducted into the International Association of Jazz Educator's Hall of Fame.
我只是简单的把科尔·波特的作品，在其每小节中，加了一拍，在其每小节中，加了一个非强拍，看起来效果还很不错。
So there it's — I'm simply taking the Cole Porter piece and throwing in an extra beat in each measure an unstressed beat in each measure and it works out pretty well.
我只是简单的把科尔·波特的作品，在其每小节中，加了一拍，在其每小节中，加了一个非强拍，看起来效果还很不错。
So there it's — I'm simply taking the Cole Porter piece and throwing in an extra beat in each measure an unstressed beat in each measure and it works out pretty well.
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