川剧是比较有代表性的四川地方戏。
提起变脸，我们先要说说川剧。
We cannot talk about face changing without mentioning Sichuan opera.
华兴街的锦江剧场是看川剧的好去处。
Jinjiang Theatre on Huaxing Street is a good place to enjoy Sichuan Opera.
风雨飘摇中的川剧事业似乎后继有人。
The tottering cause of Sichuan Opera seems to have successors.
变脸是川剧中的一大亮点。
之后，他对成都茶馆里的川剧表演着了迷。
He was fascinated by Sichuan Opera performances in Chengdu's teahouses.
这样，变脸就成为川剧中的一种艺术特技。
Thus face changing became a special art form of Sichuan opera.
第六节分析四川剧运取得的成绩和存在的不足。
The sixth part deals with the achievements and deficiency of Sichuan drama campaign.
川剧《潘金莲》从不同视角中审视潘金莲的沉沦。
The Sichuan opera Pan Jinlian examines Pan Jinli an's degradation from different perspectives.
川剧吸收了这一古老的技艺并将其升华为一门艺术。
Sichuan Opera absorbs this ancient skill and perfects it into an art.
伴随着川剧的“升温”，剧场的建设问题也随之而来。
Along with the Sichuan Opera "warming up", the theater building also warm up.
看到这变化的一幕，我想到了川剧的变脸，想到了魔术。
See the changes in the scene, I thought of Sichuan opera face, thought of magic.
他的表演为川剧变脸这个古老的艺术增添了新的魔幻活力。
His performance has enriched the old and classic art with fresh illusion energy.
四川省流行著的戏曲是川剧，而陜西等省区盛行的曲调则是秦腔。
Sichuan opera is popular in Sichuan Province, while Qingqiang is popular in Shanxi Province.
第四节主要分析四川剧运中相关问题的解决办法和之于今天的借鉴。
The fourth part analyzes the solutions of relevant questions and its reference to the drama in modern times.
川剧不仅是中国传统戏剧之一，其独具特色的川剧变脸更是举世闻名。
Tonight, Sichuan Opera is one of the principal genres of regional drama in China, particularly famous for its unique skills in "changing countenance".
后来，川剧把变脸用在表演中，并且加入魔术的技巧，用来表现人物的性格和情感。
Later, Sichuan Opera used face-changing in performances, added magic techniques, and expressions of the characters personality and feeling.
川剧为古老的传统剧目，它全国有名。四川当地民众则对以民间传说改编的花灯戏深爱有加。
Sichuan opera is an ancient tradition that is well-known across China, while the folk-based Sichuan lantern drama is popular in the region.
由于功夫，他们可能来到中国，学习了解中国文化的其他方面，比如京剧和川剧这样的传统戏剧。
From that, they may come to China and learn about other aspects of this culture, such as traditional operas like the Beijing and Sichuan ones.
以川剧的变脸为基础，阿峰在没有借用川剧传统表演技法转脸的情况下同时实现脸衣鸽人的变化。
Based on the face change of Sichuan opera, Feng simultaneously changes faces and outfits without turning his head which is the traditional performing technique of Sichuan opera.
它是川剧中的一种特殊技法，在几秒钟内可以多次变换脸部妆容，表演时常常用它来表达剧中人物的不同的思想感情。
It refers to the changing of masks in quick succession to show different emotions and feelings of the character in the play.
它是川剧中的一种特殊技法，在几秒钟内可以多次变换脸部妆容，表演时常常用它来表达剧中人物的不同的思想感情。
It refers to the changing of masks in quick succession to show different emotions and feelings of the character in the play.
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