“心”是嵇康思想的一个重要概念。
嵇康思想的历史、社会、思想背景。
The historical, social and ideological background of Jikang's thought.
文章分析了嵇康音乐美学的本体论思想。
This article analyses Ji Kang's ontology on musical aesthetics thought.
经过嵇康的阐发，我国古代音乐形神理论终臻完备。
Our ancient music appearance-sprite theory attained the perfect state by his elucidating.
本文以现代美学作为审视角度，梳理与研究了嵇康的音乐艺术思想。
This article takes modern aesthetics as its examining angle and closely studies Ji Kang's music and art thought.
嵇康的音乐美学思想是一个从本体论到欣赏论的思辨性很强的完整体系。
Ji Kang's ideology of music aesthetics is a complete system in the development of this field from ontology to appreciation which is full of dialectics.
金玉满堂莫收，古人安此尘丑。独以道德为友，故能延期不朽。——嵇康。
And don't accept, the ancients Ann dust this ugly. Alone and morality as friend, so can delay immortality.
对嵇康的痛苦及其克服痛苦的方式进行解析，有助于我们获得对嵇康名士风度及其实质更深刻的了解。
We can understand Ji Kang's behavior and its true meaning better through analyzing his torture and the way he withstood it.
论阮籍\嵇康的文学叛逆精神及其传承…摘要：倪梁康撰文《译者的尴尬》，指出译者理论与实践存在两相背离的尴尬局面，对翻译的“创造性叛逆”原则进行批判。
In Translator's Embarrassment, Mr. Ni Liangkang's points out an embarrassing situation that translator's practice deviates from their theory and criticizes the translation's "Creative Treason".
论阮籍\嵇康的文学叛逆精神及其传承…摘要：倪梁康撰文《译者的尴尬》，指出译者理论与实践存在两相背离的尴尬局面，对翻译的“创造性叛逆”原则进行批判。
In Translator's Embarrassment, Mr. Ni Liangkang's points out an embarrassing situation that translator's practice deviates from their theory and criticizes the translation's "Creative Treason".
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