宋苏汉臣（活跃，公元1130年代至1160年代）绘制的穿着绸服玩耍的小孩子绸画。
Chinese painting on silk, with playing children wearing silk clothes, by Su Hanchen (active 1130s–1160s), Song Dynasty.
画贵有诗意，自宋以来成为风气，优秀的国粹我们必须传承。
Draw your poetic, since the Song Dynasty as a whole, we must inherit the quintessence of excellence.
还从图像的社会历史学解读及风格传承与技法演变两个角度探讨了两宋风俗画研究的的史学意义。
It also discusses its historical significance from the two angles: social and historical interpretation of images, style succession and technique development.
本文避开这样的研究思路，从“写实”这一绘画传统出发，以大量史料为依托，来考察宋、元两个时代山水画写实性的流变。
According to the "realistic tradition", the author, basing on a large number of historical materials, tries to avoid the ideas before to investigate the changes of Chinese landscape in the two times.
正是如此追求，就使有宋一代的山水诗画从整体上出现萧散清远的特点。
It is the pursuit that the Painting from Song Dynasty expressing a characteristic of "superior to mundane affairs".
第四，五代与两宋山水画的反装饰性。
The fifth chapter talks about the decoration of the writer landscape painting since Yuan Dynasty.
六朝流传至今的山水绘画美学主要见诸晋末宋初宗炳的《画山水序》和王微的《叙画》。
The aesthetic thoughts on mountains-and-waters painting handed down from the Six Dynasties is mainly reflected in Zong Bing's Preface to mountains-and-waters painting and Wang Wei's on painting.
六朝流传至今的山水绘画美学主要见诸晋末宋初宗炳的《画山水序》和王微的《叙画》。
The aesthetic thoughts on mountains-and-waters painting handed down from the Six Dynasties is mainly reflected in Zong Bing's Preface to mountains-and-waters painting and Wang Wei's on painting.
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