而且，本文尝试对宋代绘画史中“强国观念”的变迁和图像制作产生的两种主要背景作了描述。
And, in this text, I try to describe the change of "Great power Idea" in the paintings of Sung Dynasty and two main backgrounds of the working of images.
叙事画，有广阔的色彩范围和比宋代绘画更加繁忙的组成，是极受欢迎在明朝(1368- 1644)的时间。
Narrative painting, with a wider color range and a much busier composition than the Song painting, was immensely popular at the time of the Ming dynasty (1368-1644).
这部豪华本书籍是配合洪磊2003年在前波画廊举办的个展而制作的，在该展览中，他创作了模仿宋代绘画的摄影作品。
This deluxe edition book was created to compliment Hong Lei's solo exhibition in 2003 at Chambers Fine Art, in which he created photographic recreations of Song Dynasty paintings.
刘铮借用中国的传说故事，却运用真人来摆置出大规模的活人画面。而洪磊则将宋代传统绘画重新诠释成现代艺术语言。
The large, carefully staged photographs of Liu Zheng comment artfully on Chinese legend while Hong Lei reinterprets Song Dynasty painting in a relentlessly modern idiom.
如苏轼题画诗中的“形神论”与黄庭坚题画诗提倡的“韵”说，都对宋代的绘画、鉴赏理论产生深远影响；
For instance, Su Shi's"theory of contour and spirit"and Huang Tingjian's idea of"Yun"have affected the theory of painting very much in the Song Dynasty;
每幅画中都出现的花篮改编自宋代（960-1279）绘画大师李嵩的一辑册页，却恰好与画中的当代元素相协调。
Here a basket of flowers in each painting is adapted from Song Dynasty (960-1279) master Li Song's album of figures, which deliberately fits well with other contemporary elements in the painting.
又在一幅宋代的绘画，画中是四个学者装束的人在一个秋天的树林里漫游着，仰首在眺望上头那些枝丫交错的雄伟的树木。
There is another Sung painting of four scholarly figures wandering in an autumn forest and raising their heads to look at the intertwining branches of majestic trees above them.
又在一幅宋代的绘画，画中是四个学者装束的人在一个秋天的树林里漫游着，仰首在眺望上头那些枝丫交错的雄伟的树木。
There is another Sung painting of four scholarly figures wandering in an autumn forest and raising their heads to look at the intertwining branches of majestic trees above them.
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