去年，他背负着使土耳其音乐回归本土的使命，搬到了伊斯坦布尔。他认为，土耳其音乐属于阿拉伯音乐这个事实不容否认。
He moved to Istanbul last year with the mission of returning Turkish music to its roots, which he argues are undeniably Arab.
2010年伊斯坦布尔的Sonisphere 音乐节是土耳其重金属音乐迷梦想成真的时刻，它以类似麦格戴斯的表演为特色。
The 2010 Sonisphere festival in Istanbul was a dream come true for Turkish metalheads, featuring performances as the likes of Megadeth.
那显然低估了“希腊-土耳其”交友小组、或者致力于两个国家都喜欢的音乐和电影的小组扮演的角色。
That understates the role of Greek-Turkish friendship groups, or groups dedicated to music or films that both countries like.
证据： 2010年伊斯坦布尔的Sonisphere音乐节是土耳其重金属音乐迷梦想成真的时刻，它以类似Metallica、屠夫、麦格戴斯、炭疽和德国战车的表演为特色。
The evidence: The 2010 Sonisphere festival in Istanbul was a dream come true for Turkish metalheads, featuring performances from the likes of Metallica, Slayer, Megadeth, Anthrax, and Rammstein.
土耳其的这种风格在古典主义和早期浪漫主义音乐创作中就有出现过，包括贝多芬的《第九交响曲》中的最后一个乐章。
Turkish tinge appears in many compositions of the Classical and early Romantic eras, including the finale of Beethoven's Symphony No. 9.
土耳其的这种风格在古典主义和早期浪漫主义音乐创作中就有出现过，包括贝多芬的《第九交响曲》中的最后一个乐章。
Turkish tinge appears in many compositions of the Classical and early Romantic eras, including the finale of Beethoven's Symphony No. 9.
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