• 我们有史诗的全文,它在阿淑尔巴尼帕图书馆里。它是七世纪的故事原稿。

    We have a full text of the epic that was located in the library of Assurbanipal. It's a seventh-century copy of the story.

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  • 从这个角度来看,我们可以看到弥尔顿伟大史诗的每一处细节背后,都隐藏着神自己的强大力量。

    In this perspective, we have an image of the awesome power of the Deity himself thundering away behind every jot and tittle of Milton's great epic.

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  • 这部电影具有雄壮史诗的一切特点。

    The film has all the earmarks of an epic.

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  • 这正是这部生存史诗的精髓。

    That's the essence of this survival epic.

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  • 他是重现过去的民族史诗的第一位主人公。

    He is the first hero of a recurrent national epic.

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  • 史诗的主人公通常都有一个形影不离的同伴。

    In epic the hero often has an inseparable companion.

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  • 他从一个非史诗的角度——英国地貌中找出了如此多的乐趣。

    That he can conjure such delights from the decidedly non-epic scale of the British landscape is a welcome reminder that.

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  • 必须具有敏感和想象力才能体会这部史诗的意境。

    To eater into the mood of this epic poem requires both sensitivity and imagination.

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  • 母亲,是我一生不可超越的颂诗,具有史诗的性质。

    Mother, is the eulogy that I cannot go beyond in lifetime, with the character of epic.

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  • 中国叙事诗在情节上有不同于西方史诗的独特性质。

    Chinese narrative poetry has uniqueness in respect of plot chosen, different from that of Western epic poetry.

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  • 因此,如果你想写一部史诗的诗,这不是最好的地方。

    So if you want to write an epic poem, this isn't the best place.

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  • 现在在我们看到的两册书中弥尔顿,挖出并丢弃了所有史诗的传统。

    Now in these two books we've seen Milton dig up and discard just about the entire tradition of epic poetry.

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  • 用诗方式和史学思维为咏史诗的创作与接受提供了思维模式;

    The method of "Poems" and thinking method of "Historic Classics" provided a thinking pattern for the creation and acceptance of eulogistic poems.

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  • 对荷马史诗的态度与柏拉图和亚理士多德的诗学思想有直接的勾连。

    The attitude to Homer' s epics directly influenced the poetics of Plato and Aristotle.

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  • 弥尔顿想写一首在某种程度上先于,荷马和维吉尔伟大史诗的史诗。

    Milton wants to write an epic that in some ways comes before, or prevents, the great epics of Homer and Virgil.

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  • 作为族群的一种集体记忆,史诗的形成与族群的早期历史密切相关。

    As a kind of collective memory of an ethnic group, the composition of epic has close relation with the early history of the ethnic group.

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  • 从这个角度,我们能看到,上帝的神力隐去了,藏到了弥尔顿的史诗的一点一滴中。

    And so in this perspective we have an image of the awesome power of the Deity Himself thundering away behind every jot and tittle of Milton's great epic.

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  • 从科尔沁说唱艺术和蒙古英雄史诗的传承研究了该民歌产生的艺术因素。

    From the art of the Mongolian songs in Horqin district and the Mongolian epics, it studies the artistic factors.

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  • 第二章分为三节,论述以宫崎骏为代表的日本动漫艺术所具有的史诗的品格。

    Chapter Two contains three sections, which discuss the epic character in Japanese anime art on behalf of Hayao Miyazaki.

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  • 我们感到在这个数字左右会使得奇袭有史诗的感觉,让参与的每个人扮演重要的角色。

    We feel that a number in this vicinity captures the epic feel of a raid while allowing each individual involved to play a significant role.

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  • 夺发记在对英雄史诗的显著特征进行全面“戏仿”的同时,结合了作者对道德的联想与思考。

    By parodying the overall traits of heroic epics, the Rape of the Lock involves the author's thoughts and associations of morality.

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  • 采用了“传统史诗”和“现代史诗”这两个概念,抛弃了史诗的外在形式,抓住了史诗的内在精神。

    Adopt traditional-epics and modern-epics concepts, abandon the external form of the epic, catch the inherent spirit of the epic.

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  • 影视精品是震撼心灵的史诗的品读和文学艺术精华的集粹,是人类文化艺术圣殿中最美丽的缪斯女神。

    The classic movie works which are the most beautiful Muse in holy palace of people's cultural art, are to savor the epic which can convulse people's soul and collection of literature art.

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  • 咏史诗的形成有其独特的文化背景:《诗》、史文化的传播培育了良好的咏史诗创作与接受的话语环境;

    The formation of eulogistic poems has special cultural background: the prevailing of "Poems" and historic culture provided the context for the creation and acceptance of eulogistic poems.

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  • 图像是史诗文化、史诗精神、史诗功能的综合载体,是史诗丰富内涵的外化形式,对于史诗的研究有着重要意义。

    Pictures are the comprehensive carrier of culture, spirit and function of Epic, as well as the external form of the rich connotation of Epic, it 's very important to the research work of Epic.

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  • 所以弥尔顿暗示迪奥达蒂自己还不能完成创作史诗的任务,但他提到了他刚写完的《圣诞清晨歌》,好像这就是一篇迷你史诗。

    So Milton implies to Diodati that he isn't yet up to the task of epic, but as he describes the Nativity Ode that he's just written, it's almost as if he considers it something of a mini-epic.

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  • 也就等于承认它事实上是一部晚期的史诗作品,是源自于雷同的,学究气的,小学生般的,对荷马与维吉尔写的伟大史诗的模仿。

    It's to admit that this is in fact a late epic and that it derives from a close, studious, student-like imitation of the great epics of Homer and Virgil.

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  • 这是一部有着强烈时效性的历史剧,一位凭借个人奋斗成就英雄史诗的君主与一名帮助他找到了真实声音的非凡平民构成了饶有趣味的组合。

    Here's a period piece with irresistible immediacy, a brilliant pairing of a monarch who's heroic by virtue of his personal struggle, and an uncommon commoner who helps him find his authentic voice.

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  • 弥尔顿选择了亚当夏娃以及撒旦的溃败的故事,作为他史诗的主题在我们看来--不管我们读过,还是将要读《失乐园》--都是很自然的。

    The story of Adam and Eve and of the fall of Satan may strike us - having read or about to read Paradise Lost -- may strike us as a natural subject for Milton to have chosen for his epic poem.

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  • 弥尔顿选择了亚当夏娃以及撒旦的溃败的故事,作为他史诗的主题在我们看来--不管我们读过,还是将要读《失乐园》--都是很自然的。

    The story of Adam and Eve and of the fall of Satan may strike us - having read or about to read Paradise Lost -- may strike us as a natural subject for Milton to have chosen for his epic poem.

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