“意境”是中国古典美学的重要范畴。
Artistic conception is an important category of aesthetics in ancient China.
审美意象是中国古典美学中的核心概念。
意境是中国古典诗歌与古典美学的重要范畴。
The artistic conception is the important category of Chinese classical poem and classical aesthetics in China.
“含蓄”是中国古典美学和诗学的核心范畴之一。
Implication is a core category of the Chinese classical aesthetics and poetry.
审美向现实功利性回归，是对古典美学的一种超越。
The regress of taste to practical society is a surpass to classical taste.
言下之意则是中国古典美学不那么重视美与真的统一。
Actually it implicitly means that the Chinese classical aesthetics does not pay much attention to the unity of beauty and truth.
对中国古典美学中审美活动的研究是本文最初的立意。
The initial conception of this paper is aesthetic activities in Chinese Classical Aesthetics.
乘着禅宗的双翼，中国古典美学进入了艺术心理学时代。
Riding on Zen's wings, the Chinese classical esthetics entered the artistic psychology age.
西方古典合唱是西方音乐中最具古典美学特征的形式之一。
Western classical chorus is one of the genres most characterized by classical aesthetic features.
魏晋玄学的“得意忘言”论对我国古典美学产生了深远影响。
Metaphysics in Wei and Jin Dynasties had a far - reaching influence on Chinese classical aesthetic.
中国古典美学中的气韵生动与道禅哲学有着深深的渊源关系。
There is a source relation between the theory of art vitality and vigour in Chinese classical aesthetics and Taoist school and Chan sect philosophy.
对来自西方的摄影，如何与中国古典美学相结合进行了分析。
It analysed how to combine the western with Chinese traditional aesthetics and advanced that artistic conception can't be used as only standard to weigh photograph.
西方古典美学强调主客二分、二元对立的理性，强调外在、对抗。
There are two basic points about modern aesthetics and western classical aesthetics.
艾轩精心绘制清晰分明的形象体现出线条节奏这种中国古典美学。
Ai Xuan's well-drawn, defined forms demonstrate this classical Chinese aesthetic concern for the rhythm of line.
气是中国古典美学中重要的范畴，它和美学中的生命精神密切相关。
Qi is a very important category which has close relation with the life spirit in Chinese classical aesthetics.
“味”是中国古典美学的重要范畴，是中国艺术精神的表现和具体化。
"Flavor" is an important category in Chinese classical aesthetic, is the representation of Chinese art psychic.
在中国古典美学中，偶然这个范畴有着突出的位置与重要的理论价值。
The category of contingency occupies a particular position and has important theoretic value in classic Chinese aesthetics.
虚实相生是中国古典美学的重要原则，也是中国古典园林艺术的精髓。
The interpromotion of void and solid is an important principle in Chinese classic aesthetics and the essence of Chinese traditional garden art.
中国绘画讲究“气韵生动”，虚与实的统一是古典美学中的重要原则。
Chinese paintings call for active mood. The integration of imagination and reality constitutes and important principle for classical aesthetics.
“丽”是中国古典美学的重要范畴，贯穿于中国古典美学的整个历程。
Li "is one of the most important aesthetic categories of Chinese classical aesthetics."
从鲍姆嘉登开始的西方美学在经历德国古典美学之后开始进入现代时期。
West aesthetics beginning from the time of Baumleden, passing through German classical aesthetics, has stepped into the modern age.
第三部分，从中国古典美学的视角切入，对家书的多元审美风格进行探析。
The third part starting from the perspectives of Chinese classical aesthetics, we discuss the multiple aesthetic style of letter home.
“兴”是中国古典美学中一个具有关键性质的范畴，但兴义繁杂，难以定性。
Xing is an ancient critical aesthetic category of China with the most complicated connotation and the most miscellaneous interpretation.
中国古典美学的意境说，在我国古典园林艺术、园林美学中也得到了独特的体现。
The artistic conception in Chinese classical aesthetics has also been uniquely represented in the art of Chinese classical gardening and the aesthetic gardening.
意境是中国古典美学的独特范畴，是中国文化史上最中心也最具有世界贡献的一方面。
Artistic conception is a unique category of Chinese classical aesthetics and is also one of the most and central contributions to the world in Chinese cultural history.
研究了与古典美学概念截然不同的王尔德美感的表达方式及其王尔德美感的根源所在。
The article studies the expression way of Wilde esthetics completely different from the classical esthetic concept and the root of Wilde esthetics.
宋代词人在感性心态描述上的成就，对中国古典美学和文学创作产生了极为深远的影响。
The accomplishment in the description of one's perceptive mentality has had a great impact on Chinese classic aesthetics and literature.
席勒美育思想作为德国古典美学的重要组成部分，为德国审美现代性建构做了巨大贡献。
As a important part of German Classical Aesthetics, F. Von Schiller's theory of aesthetic education played an tremendous role in constructing aesthetic Modernity in Germany.
指出他的小说既从形式上向古典美学借鉴，又从传统文化角度再现了乡土文化和民族心理。
This part points out Wang's short stories both draw lessons from classical aesthetics and embody country culture and national psychology.
指出他的小说既从形式上向古典美学借鉴，又从传统文化角度再现了乡土文化和民族心理。
This part points out Wang's short stories both draw lessons from classical aesthetics and embody country culture and national psychology.
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