倪瓒仅仅是借画竹来抒发自己对世间美好生活的向往，或表现出虚心向上、刚正不阿的情怀呀！
Nizan draw bamboo in the world to express their longing for a better life, or showing modest upward, upright and outspoken feelings!
倪瓒画风的追随者在作画过程中偏爱使用干墨，这使得他们的作品看起来像是素描作品而非水墨画。
Adherents of the style of Ni Zan tended to prefer dry inks that made their compositions look almost like charcoal drawings, rather than paintings.
疏林、远山、阔水、空亭组合形成了一水两岸式的画面格局，并成为倪瓒山水画风格的个性化样式。
The wood, far mountain, water, station combination became the appearance structure and form of the one water cross-straits type.
《渔庄秋霁图》是其很具代表性的作品，通过对作品中树、石、构图、书法落款等程式的分析，可以深入体会倪瓒的绘画艺术程式，有利于对倪瓒的绘画进行更好的学习和研究。
These patterns give Ni Zan's pictures the elegant, empty and peaceful artistic conception. The analysis of these patterns is conducive to better learning and research of Ni Zan's paintings.
《渔庄秋霁图》是其很具代表性的作品，通过对作品中树、石、构图、书法落款等程式的分析，可以深入体会倪瓒的绘画艺术程式，有利于对倪瓒的绘画进行更好的学习和研究。
These patterns give Ni Zan's pictures the elegant, empty and peaceful artistic conception. The analysis of these patterns is conducive to better learning and research of Ni Zan's paintings.
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