• 他们在文艺复兴时期重新演绎了传统戏剧。

    They took classical theater and reproduced it in the Renaissance time.

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  • 京剧是中国所有传统戏剧艺术形式中最具代表性的,也是中国最大的戏曲形式。

    Beijing Opera is the most representative of all Chinese traditional dramatic art forms and the largest Chinese opera form.

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  • 中国传统戏剧,包括京剧,是一种娱乐节目,涵盖了道白、唱歌、跳舞和杂技。

    Traditional Chinese drama, including Beijing Opera, is a kind of entertainment which includes spoken parts, singing, dancing and acrobatics.

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  • 包括京剧在内的中国传统戏剧是一种娱乐形式。

    Traditional Chinese drama, including Beijing Opera, is a kind of entertainment.

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  • 它是中国的一种传统戏剧。

    It's a traditional opera in China.

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  • 歌舞伎是日本民族引以自豪的传统戏剧。

    Kabuki is proud of the Japanese nation traditional drama.

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  • 超越传统戏剧,又对传统戏剧有所借鉴。

    It not only surpasses the traditional drama but also draws on the experience of the traditional drama.

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  • 中国有多少种传统戏剧?

    How many traditional operas are there in China?

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  • 据说传统戏剧程式很多。

    They say Chinese classical theater abounds in stylized conventions.

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  • 今天,它已经成为了日本最主要的传统戏剧。

    Today, Nogaku is the main tradition of Japanese theatre.

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  • 传统戏剧与美术创作之间存在着某些互通关系。

    There are some sorts of relation between the theatre of tradition and artistic creation.

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  • 其戏剧冲突较传统戏剧而言最大的特点是冲突弱化和内化。

    Compared to the traditional drama, the characteristics of his drama are the weakening and internalization of conflicts.

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  • “哲理化”是西方现代戏剧区别于传统戏剧的重要特征之一。

    Philosophized making is one of the important features that made a distinction between modern western dramas and traditional ones.

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  • 贝克特颠覆传统戏剧要素,开创了一种戏剧新形式“荒诞派戏剧”。

    Beckett abandoned the traditional treatment of dramatic ingredients and in doing so gave birth to a new theatre - Theatre of the Absurd.

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  • 两种文化都有各自的传统戏剧及诗歌,它们记录了福建千年的历史。

    Each of the two cultures has its own traditional operas and ballads, recording a thousand years of Fujian's history.

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  • 川剧不仅是中国传统戏剧之一,其独具特色的川剧变脸更是举世闻名。

    Tonight, Sichuan Opera is one of the principal genres of regional drama in China, particularly famous for its unique skills in "changing countenance".

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  • 我们发现每个食谱的一部分,在庆祝和维护他们的丰富的文化传统戏剧。

    We discover the part that each recipe plays in celebrating and maintaining their rich cultural traditions.

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  • 元杂剧、明清传奇和欧洲传统戏剧都是文学的戏剧,地方戏是表演的戏剧。

    Zaju of Yuan, legends of Ming and Qing and traditional European operas all belong to literary drama, while local operas are performing drama.

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  • 不知是何原因,许多大学生表现出对中国传统戏剧如京剧和越剧的浓厚兴趣。

    For reasons that are not quite understood, there has been a revival of strong interest in traditional Chinese drama, such as Beijing opera and ShaoXing opera, among the college students.

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  • 传统戏剧服装、刀、枪、剑、戟、戏帽、盔甲,现代及民间舞蹈服装、演出道具。

    A costume drama: the traditional drama clothing, knives, guns, sword, halberd, opera hat, armor, modern and folk dance costumes, props and performances.

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  • 起源于安徽西南安庆郊区的黄梅戏,作为中国传统戏剧中的一种形式而风靡全国。

    Huangmeixi, which originated in the environs of Anqing in southwestern Anhui, is a form of traditional Chinese opera popular across China.

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  • 由于功夫,他们可能来到中国,学习了解中国文化的其他方面,比如京剧和川剧这样的传统戏剧。

    From that, they may come to China and learn about other aspects of this culture, such as traditional operas like the Beijing and Sichuan ones.

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  • 他创办了北方滑稽剧院,打算设计一种世界语言却未能如愿,后来还在印度和非洲发掘传统戏剧。

    He founded the theatre des Bouffes du Nord, tried to devise a universal language and, when that did not happen, explored theatrical traditions in India and Africa.

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  • 内容上,初期的编译戏剧作品情节与中国传统戏剧相似,但也有作品保持原著的风格。

    In content, the initial compilation dramatic plot is similar to traditional Chinese drama, but also there are works maintain the original style.

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  • 上世纪五十年代欧美兴起的荒诞派戏剧彻底颠覆了传统戏剧,根本改变现有的戏剧观念。

    The Theatre of the Absurd, which came into being in the fifties of the last century, totally subverts the ideas of traditional drama.

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  • 中国传统戏剧在表演时具有虚拟性的特点,这就使戏曲艺术具有“写意性”的内在特征。

    Chinese traditional dramas are characteristic of "suppositionality" in performance which represents the imaginative expression of dramatic arts.

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  • 有一个储备剧团试图复兴和更新古典剧目,其主要目标是复制古希腊和古罗马的传统戏剧。

    There was a repertory theater group that wanted to create a renaissance or renewal of classical theater.

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  • 悲剧意识的形成打破了中国传统戏剧的“大团圆”模式,成为中国话剧初创时期的主导艺术特色。

    Tragedy consciousness breaks the happy ending mode in Chinese traditional dramas. It becomes the leading artistic characteristics in the beginning creation period of Chinese modern drama.

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  • 悲剧意识的形成打破了中国传统戏剧的“大团圆”模式,成为中国话剧初创时期的主导艺术特色。

    Tragedy consciousness breaks the happy ending mode in Chinese traditional dramas. It becomes the leading artistic characteristics in the beginning creation period of Chinese modern drama.

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