唐代是中国传统仕女画的黄金时期。
Tang Dynasty is a Golden Age of the traditional Chinese Painting of beautiful women.
明代仕女画是一个很重要但又缺乏整体研究的领域。
Ladies draw in the Ming Dynasty is a very important but the lack of an overall study area.
是目前全世界范围内唯一认定的唐代仕女画传世孤本。
Is currently the only recognized worldwide tang handed down only existing copy of seeing painting.
这是我个人疏忽，后来我看报纸才知道歌红女士的作品是仕女画。
This is my personal negligence, afterwards I read the work that the newspaper just know a song red lady is a painting of lady.
唐朝绘画仍以人物画为主流，仕女画又是这个黄金时代的点睛之作。
The painting of the Tang Dynasty still took figure painting as principal genre, of which painting of beautiful women was the most excellent works of art in the golden age.
他们是贵族女性风俗画的先驱，对后世仕女画创作产生了重大影响。
As forerunners of secular lady paintings, they had a big influence on later paintings of court ladies.
唐寅是我国明代著名的画家，开创了削肩忧怨“世俗美”的仕女画类型。
Tang Yin was a famous painter of the Ming dynasty who initiated the traditional Chinese painting style of depressed beautiful women with sloping shoulders.
他的工笔人物画造型严谨，刻画入微线条流畅，刚健爽朗，风格清闲，完全摆脱了旧人物仕女画柔靡琐细的积习。
His fine brushwork rigorous modeling portraits, portrait of attention fluid lines, robust hearty, free-style, completely out of the old ladies painted figures Sophie inveteracy trivial detail.
我觉得：现代工笔仕女绘画艺术必须是扎根于大唐工笔仕女画文化的这个土壤，大唐工笔仕女画是我们工笔绘画的文脉所在。
In my opinion: modern fine brushwork painting of beauties must be based on the culture of Tang-Dynasty fine brushwork painting of beauties, which is the source of the modern fine brushwork painting.
我觉得：现代工笔仕女绘画艺术必须是扎根于大唐工笔仕女画文化的这个土壤，大唐工笔仕女画是我们工笔绘画的文脉所在。
In my opinion: modern fine brushwork painting of beauties must be based on the culture of Tang-Dynasty fine brushwork painting of beauties, which is the source of the modern fine brushwork painting.
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