他的书法美学核心思想是尚自然。
The core of his handwriting aesthetics is advocating the nature.
他的成就更重要的是他的书法美学方面的建树。
His achievements was the contribution to calligraphic aesthetics more importantly.
他的书法美学思想主体为：拙朴浑厚、古茂清新；
His aesthetic perspectives on calligraphy in the following two parts: I. Simple, unsophisticated and vigorous, classical and spontaneous;
他的书法美学思想启迪和影响了之后的书法美学理论和书法创作实践。
His aesthetics ideology in calligraphy enlightens and influences the following aesthetics theory of calligraphy and their creative practice in calligraphy.
他的书法美学思想启迪和影响了之后的书法美学理论和书法创作实践。
On the Influence of Confucianists and Taoists Thoughts Upon Wang Xi zhi s Aesthetical Ideas of Calligraphy and His Calligraphy;
中国传统文人画多用此法，这得益于书法美学的早熟，古代文献多有记载。
The Chinese traditional literati paintings always use this method, which benefits from the precocity of the aesthetics of calligraphy.
至于全球化共同语境的建立，更是建构书法美学为一国际性学科的基本步骤。
As for the globalization common linguistic environment establishment, is constructs the construction calligraphy esthetics is an international discipline basic step.
无疑，在邱振中的身上，彰显的是中国书法美学现代性激进与折衷的两幅面孔。
No doubt, in QIU Zhen-zhong appear the two radical and compromising faces of the aesthetic modernity of Chinese calligraphy.
经历了发端、发展到成熟的过程，到了明、清两代，中国古代书法美学思想必然地进入了守成期。
After passing through the phases of inchoation and development, the ancient history of calligraphy esthetics in China reached maturity in Ming and Qing Dynasty.
在这近百年的学术积累过程中，现代书法美学一方面在不断建构和超越中从幼稚走向壮大、成熟，另一方面也存在着内在的限度。
In the course of development, modern calligraphic aesthetics grows into manhood by constant accumulation on one hand; on the other, it has unsatisfactory points.
在这篇论文中，我着重参阅了美国美学理论家鲁道夫．阿恩海姆著名著作《艺术与视知觉》《AESTHETZCSDESIGNARTESUCATION》和陈振濂的《书法美学》。
I mainly read the aesthetic theorist Rudolph' s famous book Aesthetic Designart Esucation and Chen Zhenlian' s Calligraphy Aesthetic .
本文尝试从另外一种角度，即禅宗美学的特质和中国书法艺术的内在理路的相通之处去研究。
This article attempts to understand it from another angle, namely from the intrinsic logic of the special characteristic of the Dhyana esthetics and the Chinese calligraphy art.
本文参考文献：1、中国古典山水画美学侧记，2、三谈破体书法，3、中国书画。
This article References: 1, Chinese classical landscape Sidelights, 2, 3 on nicely, 3, Chinese calligraphy and painting.
作为艺术的书法具有独特的美学特征；
Second, the Chinese calligraphy possesses the unique aesthetic feature of arts.
这种整体上的悲剧情怀也构成了宋代书法的美学特质。
It also became the aesthetic particularity of calligraphy in Song Dynasty.
书法是我国独有的艺术形式，是中国传统美学的基础。
Calligraphy is a particular art in China and it is the foundation of traditional Chinese esthetics.
书法艺术是中国传统哲学和美学的另一种外化的存在形式。
The art of calligraphy is a traditional Chinese philosophy and aesthetics of the other things the existence of a form.
汉字的奥秘和美学感染力是书法被高度认可的原因。
This high esteem for calligraphy is due to the mystique and the aesthetic appeal of the Chinese characters themselves.
书法艺术本身蕴含着丰富的美的因素，具有深刻的美学意义，这是书法教育中实施美育的基础。
With profound aesthetic meaning, the calligraphy art itself contains abundant beautiful factors and it is the base of aesthetic education in calligraphy teaching.
中国书法使画面的美学和谐感更为复杂，背景文字的扩展，让水滴带有科学技术的徵象。
The Chinese calligraphy complicates his aesthetic harmony, offering a highly technological and scientific characteristic of water by magnifying the lettered background.
其书法艺术具有独特的美学特征。
《书谱》艺术论提出了众多的书法理论命题，建立了新的美学风尚，产生了广泛而深远的影响。
The Book Spectrum Art presents a number of calligraphy on the theoretical proposition, established a new aesthetic fashion, resulting in a broad and far-reaching impact.
六朝书论中“骨”论的美学意义在于它揭示了书法艺术美的根本在于力美。
It brings into light the fact that the vigour of strokes makes up the essential beauty of calligraphy.
在此基础上，依据书法艺术的艺术特质和美学本质对当代书法创作的走向作出预测。
Based on this, according to the calligraphy art's artistic special characteristic and aesthetics essence, this paper gave out the forecast of contemporary calligraphy creation's trend.
其中，书法艺术的“表情”效用、实用性以及传统书法主流创作群体的身份特殊性是最主要的原因，三者的结合扩大了书法的文化影响力，促成了书法的核心美学地位的确立。
Calligraphy art "the expression" effectiveness, the calligraphy art usability as well as the traditional calligraphy mainstream creation communitys status particularity are the most main reasons.
其中，书法艺术的“表情”效用、实用性以及传统书法主流创作群体的身份特殊性是最主要的原因，三者的结合扩大了书法的文化影响力，促成了书法的核心美学地位的确立。
Calligraphy art "the expression" effectiveness, the calligraphy art usability as well as the traditional calligraphy mainstream creation communitys status particularity are the most main reasons.
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