我们讨论了三和弦的根音。
三和弦的根音是在一个三和弦最底部的音。
The root of the triad is the bottom-most pitch of that triad.
那么，我们现在要做的是再看其他一些音乐，然后我们会用流行音乐的例子来看看三和弦进行。
Well, what I'd like to do now is move here to a couple of additional pieces, and we're going to use an example of pop music now with a three-chord chord progression.
三和弦第一转位是将原第三音置于底部。
The first inversion of a triad has the original third at the bottom.
三和弦第二转位是将原最上面的音置于底部。
The second inversion of a triad has the original top note at the bottom.
减三和弦和增三和弦传统上被看作不协和和弦。
Diminished triads and augmented triads are traditionally regarded as dissonant chords.
小三和弦的三个音作为和弦听上去同时发声或相继发声。
The triad may have its three notes sounded simultaneously as a chord, or its notes may be arpeggiated, broken or sounded one after the other.
三和弦是由三个音组成，包含从最低音上数第三音和第五音的。
Triads are patterns of three notes consisting of a note with a third and a fifth added, counting upwards from the lowest note.
减三和弦是根音上加一个小三度的三音和弦，其上加一个小三度。
A diminished triad is a three-note chord with a minor third added over the root and a minor third added above that.
最简单的形式三和弦，可转位为原中间音或原最上面的音置于底部。
In their simplest form, triads, or three-note chords, may be inverted by having either the original middle or the original top note at the bottom.
根据最低音与中间音之间，中间音与最高音之间的第三音的性质，三和弦可分为大，小，增或减。
Triads may be major, minor, augmented or diminished according to the quality of the thirds between the bottom and middle note, and between the middle note and the top note of the three.
所增加的七音在主音和下属音三和弦的情况下成为大七和弦，在自然大音阶的其他音的情况下成为小七和弦。
The seventh so added will be a major seventh in the case of triads on the tonic and subdominant, and a minor seventh in the case of other degrees of the diatonic major scale.
所增加的七音在主音和下属音三和弦的情况下成为大七和弦，在自然大音阶的其他音的情况下成为小七和弦。
The seventh so added will be a major seventh in the case of triads on the tonic and subdominant, and a minor seventh in the case of other degrees of the diatonic major scale.
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