闻一多的“幻象说”具有重要的诗学价值。
《说舞》是闻一多的艺术类型论系列论文中的一篇。
On Dance is one of the essays by Wen Yiduo in his typology of art.
诗情世界具有内在张力，是闻一多诗歌的显著特色之一。
There is an internal tension in poetry. It is one of the most remarkable characteristics in Wen Yiduo's poetry.
闻一多的色彩观源于西方绘画，也源于中国的宫廷和民间色彩。
Wen′s view of colour comes from Western painting and Chinese palace and folk colour as well.
童心美是闻一多诗艺特点的重要构成，是诗人人格美在诗中的体现。
Beauty of naivety, which is an important component of artistic features of Wen Yiduo's poem, is the embodiment of his perfect personality.
闻一多的《周易》研究构成了中国古代社会史史料学基本体系和内容。
His studies of Zhouyi constitute a basic structure and content of the bibliography of ancient China's social history.
在成为一个怒目金刚式的斗士之后，闻一多依然保持着自己的绅士心性；
After turning himself into a fierce fighter, he kept his gentlemanly temperament.
闻一多既是斗士，也是诗人和学者。这三重人格集合在他身上，辩证统一。
Wen Yiduo was a poet, a scholar as well as a fighter. These three personalities formed a dialectical unity on him.
闻一多诗歌浓郁的色彩具有西方诗歌的风格，而其色彩的主体又具有民族性。
Wen Yiduo′s colourful poems belong to the Western poetic style. Nevertheless, the subjects of his colourful poems are traditionally Chinese.
本文从音乐美、建筑美、绘画美三个方面论述了闻一多对新诗格律的民族化建构。
In this essay, the author try to expound his new theory of metrical poem through three aspects: aesthetic perception in music, construction, and painting.
作为评介性的论文，本文主要介绍闻一多诗歌翻译理论和其翻译实践中的美学趋向。
This thesis functions as an introduction and a description of Wen Yiduo's translation theory and practice.
“幻象说”是闻一多早期诗论中的一个重要学说，而且是中国现代诗学的一种独特的理论。
Wen Yiduo's "theory of illusion" is one of his early important poetic theories, which occupies a unique place in the history of modern Chinese poetics.
早在20 世纪30年代，闻一多先生的神话学研究就是在青岛山东大学任教期间完成的。
As early as 1930s, Mr. Wen Yiduo had already completed his mythology research while he worked as a teacher in this University.
个人之于社会等于身体的细胞，要一个人身体健全，不用说必须每个细胞都健全。——闻一多。
Individual in the society is equal to the cells of the body, to the body of a person sound, needless to say to every cell of sound. — Wen Yiduo.
出于对自由、正义的热爱，也出于对自我人格完善的追求，闻一多牺牲得像一个斗士，更像一个绅士。
Out of his love for freedom, justice and in pursuit of a perfect personality, Wen Yiduo laid down his life more like a gentleman than like a fighter.
主体经过了快乐的流浪汉、痛苦的“流囚”到焦灼的拷问者这三个阶段的变化，从而展现了闻一多诗歌情绪的变化过程。
From the happy vagrant and anguished exiled prisoner to anxious inquirer, the poetic subject shows the change of Wen Yiduo s poetic emotions.
主体经过了快乐的流浪汉、痛苦的“流囚”到焦灼的拷问者这三个阶段的变化，从而展现了闻一多诗歌情绪的变化过程。
From the happy vagrant and anguished exiled prisoner to anxious inquirer, the poetic subject shows the change of Wen Yiduo s poetic emotions.
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