付利雅的作品，在当代女性艺术中，虽不是属于那种带有挑战性和反叛性的，但也绝对不会被归于闺阁情调类型。
Fu Liya's works don't belong to the challenging and rebellious type in modern feminine art, but they don't fall into the boudoir category, either.
本文写作目的就是希望通过对整个清代苏州闺阁诗人及其诗歌文本的分析，来考察她们的内心世界，观照她们的生存状态，并对她们在清代诗坛的地位作出客观的评价。
The purpose of this thesis is to discuss their living conditions and inner being by analyzing those poetesses and their works, and give a objective evaluation on them.
新闺阁艺术是我国当代女性绘画的主流，夏俊娜是新闺阁艺术家的代表。
Neo-Boudoir Art is the mainstream of contemporary female's painting in China. Xia Junna is one of the representatives of Neo-Boudoir Art.
那天，平日足不出户的闺阁女子会来到河边嬉戏取乐，年青男子们则会让盛满酒的酒杯从河的上游顺流而下。
On this day, unmarried females who often stayed at home would come out and had fun near the river bank. Each single man would let hiscup of wine run down from the upper reaches of the river.
那天，平日足不出户的闺阁女子会来到河边嬉戏取乐，年青男子们则会让盛满酒的酒杯从河的上游顺流而下。
On this day, unmarried females who often stayed at home would come out and had fun near the river bank. Each single man would let hiscup of wine run down from the upper reaches of the river.
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