酒神精神与萨特的存在主义哲学在其小说中得到艺术再现。
So, Dithyramb spirit and Sartre's existentialism get the art emersion in her novels.
在中国现代文学中，启蒙理性对酒神精神的征用较为明显。
In the modem Chinese literature, it is very obvious that the enlightenment reason takes over Dionysian spirit for use.
在尼采的学说中，酒神精神既是其哲学要点，也是其艺术核心。
In Nietzsche's theory, the spirit of Dionysus is the main point of its philosophy as well as the core of its art.
酒神精神与日神精神是尼采美学和文艺思想中两个最重要的范畴。
Two most important categories of Nietzsches aesthetic and literature thoughts are Dionysus spirit and Apollo spirit.
酒神精神与日神精神是尼采美学和文艺思想中两个最重要的范畴。
Two most important categories of Nietzsche's aesthetic and literature thoughts are Dionysus spirit and Apollo spirit.
酒神精神的肯定生命的含义也是权力意志、永恒轮回和超人的要义。
Dionysian affirmation of the spirit of the meaning of life is the will to power, the eternal essence of reincarnation and the superhuman.
《巨人传》由于颠覆拉丁语地位和蕴含酒神精神而进一步解放了人性和史诗距离。
Gargantua and pantagruel emancipated the personality and the epic distance because it inverted the position of Latin and contained Bacchus spirit.
酒神精神是尼采美学思想的核质所在，通过尼采文本的解读，厘定了酒神精神的文本意义。
Dionysus spirit is the core of idea of Nietzsche's aesthetics. Through the interpretation of Nietzsche's text, we get the actual meaning of Dionysus spirit of his text.
与此相应，对酒神精神实质的理解，也为我们阅读古希腊悲剧作品提供了另一个可能的视角。
It's proportional that the understanding of the essence of the Dionysian spirit provides another possible view on reading the works of Greek Tragedy.
作为非理性主义的酒神精神在艺术创造中有着理性主义所不能替代的而且也是特殊的艺术功效。
Dionysus's spirit, representing non rationalism, has special artistic effects on artistic innovation, which cannot be replaced by rationalism.
酒神精神虽然是近代哲学家尼采致力于探求的哲学思想，但事实上它在古希腊文学中就已经存在了。
Dionysus is a philosophical issue into which modern philosopher Nietzsche was always devoted to probing, but in actual fact, it already existed in ancient Greek literature before Nietzche.
本文以酒神精神为立足点，对普希金前期作品进行分析，挖掘其中所蕴涵的深刻的狄俄尼索斯式热情。
If taking the spirit of the God of wine as the stand, we can analyze and the find out the profound enthusiasm of Dionysus embodied in Pushkin's works written in his.
酒神精神的潜台词是：就算人生是出悲剧，我们要有声有色的演这出悲剧，不要失掉了悲剧的壮丽和快慰。
The subtext of wine god spirit is: even if life is a tragedy and we recorded colored play this tragedy, don't lose the magnificent and satisfaction.
起源于古希腊文化中的酒神精神是尼采生命美学的根本，权力意志是酒神精神的别名，超人也是酒神精神的化身。
Originated in ancient Greek culture in the Dionysian spirit is the fundamental life aesthetics Nietzsche, Will to Power is the Dionysian spirit alias, Superman is the embodiment of Dionysian spirit.
文学在本质上是合乎酒神精神的“自然之子”，在这个意义上，文学以其对文化与理性的反叛体现出永恒的人文情怀。
Literature is essentially "son of nature" that conforms to Dionysiac spirit; therefore, in this sense, literature, with its rebellion against culture and ration, reflects eternal humanistic feelings.
尼采主张对人生的审美态度，提出了“强力意志”、“酒神精神”等命题，但是其审美主义致力于“审美形而上学”而忽略生活。
Nietzsche advocates an aesthetic attitude to life and puts forward ideas of "will to power" and "the Dionysian spirit", but he thinks highly of "aesthetic metaphysics" and neglects life.
他用日神和酒神来象征这两种艺术精神。
He respectively USES Phoebus and Dionysus to symbolize the spirit of the two arts.
在音乐与酒的合力下，酒神祭者仿佛看到自己变成萨提尔，而且又以萨提尔的地位来关照神，从而得到一种精神上的极度快乐。
Force in the music and wine, the Dionysian festival who seemed to see himself into Satir and Satir Youyi position to take care of God, resulting in a great spiritual joy.
他认为艺术是日神和酒神两种精神冲撞和迸发的产物，是权力意志的表现形式。
Nietzsches aesthetic view is an essential part of his life philosophy which holds that art is the manifestation of power will and product of collision of two spirits-Apollo and Dionysius.
他认为艺术是日神和酒神两种精神冲撞和迸发的产物，是权力意志的表现形式。
Nietzsches aesthetic view is an essential part of his life philosophy which holds that art is the manifestation of power will and product of collision of two spirits-Apollo and Dionysius.
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