巴克斯酒神的或与之相关的。
酒神杖，顶端是芳香的松果。
他用日神和酒神来象征这两种艺术精神。
He respectively USES Phoebus and Dionysus to symbolize the spirit of the two arts.
那宏大的酒神现象呢？
酒神节：为表示尊敬巴克斯的古罗马喜庆日。
Bacchanalia: The ancient Roman festival in honor of Bacchus.
在这些传说中流传最为广泛的是“酒神造酒”说。
In these legends circulating most widely used is the "god of wine brewery," said.
在这些传说中流传最为广泛的是“酒神造酒”说。
In the most widely circulated legend of the "Bacchus wine making," said.
古希腊戏剧起源于酒神狄奥尼·索斯的庆祭仪式。
The ancient Greek drama rooted in the rituals of Dionysos cult.
这项传统据信是出自色雷斯人酒神节中类似的舞蹈。
This tradition is also believed to come from the Thracians who may have danced similarly during Dionysian rituals.
酒神精神与萨特的存在主义哲学在其小说中得到艺术再现。
So, Dithyramb spirit and Sartre's existentialism get the art emersion in her novels.
在中国现代文学中，启蒙理性对酒神精神的征用较为明显。
In the modem Chinese literature, it is very obvious that the enlightenment reason takes over Dionysian spirit for use.
古希腊时期酒神祭祀仪式上酒与音乐结合方式主要有两种。
Dionysian worship in ancient Greece during the ceremony with wine and music, there are two main ways.
在尼采的学说中，酒神精神既是其哲学要点，也是其艺术核心。
In Nietzsche's theory, the spirit of Dionysus is the main point of its philosophy as well as the core of its art.
酒神精神与日神精神是尼采美学和文艺思想中两个最重要的范畴。
Two most important categories of Nietzsches aesthetic and literature thoughts are Dionysus spirit and Apollo spirit.
酒神精神与日神精神是尼采美学和文艺思想中两个最重要的范畴。
Two most important categories of Nietzsche's aesthetic and literature thoughts are Dionysus spirit and Apollo spirit.
悲剧的日神因素和酒神因素这一对立在悲剧中被扬弃而归于统一。
The antithesis of Apollo and Dionysus is sublated and united in tragedies.
他说我们自身被分成两个重要的部分：“酒神的”和“日神的”。
He says that we have separated two important aspects of ourselves: the "Dionysian" and the "Apollonian".
对于酒神狄奥尼·索斯与古希腊悲剧之间的密切关联，学界早有共识。
It has been a consensus about the close association between Dionysus and Greek Tragedy in the academics.
狄俄尼索斯是他们的酒神，如何更好地颂扬他的伟大，演唱关于他的歌曲。
Dionysus was their god of wine and how better to celebrate his greatness than to get blasted and sing songs about him.
三个女人穿著的像酒神的女祭司，戴奥尼·索斯的女性崇拜者围绕著神像。
Three women dressed as maenads, female worshippers of Dionysus surround the idol.
在西方，酒神崇拜及后来形成的酒神节、延续至今的狂欢节都反映了这一传统。
In the west, this tradition is reflected by the bacchus worship, the bacchus festival afterwards formed and the carnival which is went down until now.
对弗兰茨来说，音乐能使人迷醉，是一种最接近于酒神狄俄尼索斯之类的艺术。
For Franz music was the art that comes closest to Dionysian beauty in the sense of intoxication.
他认为艺术是日神和酒神两种精神冲撞和迸发的产物，是权力意志的表现形式。
Nietzsches aesthetic view is an essential part of his life philosophy which holds that art is the manifestation of power will and product of collision of two spirits-Apollo and Dionysius.
《巨人传》由于颠覆拉丁语地位和蕴含酒神精神而进一步解放了人性和史诗距离。
Gargantua and pantagruel emancipated the personality and the epic distance because it inverted the position of Latin and contained Bacchus spirit.
古希腊悲剧家欧里庇得斯的剧作《酒神的女祭司们》生动地展现了本能和习俗的冲突。
The Bacchae, a play by the Greek tragedian Euripides, shows a dramatic view of the confrontation between instincts and institutions.
希腊神话中，萨蒂尔是一种半人半羊的生物，常与自然之神潘和酒神狄俄尼索斯联系在一起。
In Greek mythology, satyrs are half-goat, half-man creatures associated with Pan, the nature god, and Dionysius, god of wine and pleasure.
酒神精神是尼采美学思想的核质所在，通过尼采文本的解读，厘定了酒神精神的文本意义。
Dionysus spirit is the core of idea of Nietzsche's aesthetics. Through the interpretation of Nietzsche's text, we get the actual meaning of Dionysus spirit of his text.
与此相应，对酒神精神实质的理解，也为我们阅读古希腊悲剧作品提供了另一个可能的视角。
It's proportional that the understanding of the essence of the Dionysian spirit provides another possible view on reading the works of Greek Tragedy.
岛上的居民兴奋地等待着酒神巴克斯的到来，人们可以看到远处巴克斯的船和风帆在迎风招展。
The island's excited inhabitants await Bacchus' arrival — his ship with sails unfurled can be seen in the distance.
作为非理性主义的酒神精神在艺术创造中有着理性主义所不能替代的而且也是特殊的艺术功效。
Dionysus's spirit, representing non rationalism, has special artistic effects on artistic innovation, which cannot be replaced by rationalism.
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