西方油画重色彩和修饰，而中国画则重线条和笔触。
Western oil paintings are created by colors and brush touches while traditional Chinese paintings are by lines and strokes.
本文第一章简要论述了西方油画风景这一本体的演变。
The first chapter of this article briefly elaborated the Western oil painting scenery this main body evolution.
西方油画发端于14世纪末期到15世纪初期的尼德兰。
West oil painting originated from Netherland between the end of 14c and the beginning of 15c.
西方油画语言方式的确立与相应素描方式的演变密不可分。
The formation of western oil painting language has close relation to the evolution of drawing method.
中国油画是西方油画与中国传统绘画艺术的融合，也是一种东西方不同文化的交融。
The Chinese painting is not only an integration of the western painting and the traditional Chinese drawing but a blending of the oriental and western cultures.
以我国为代表的东方漆文化和西方油画艺术被公认为东西方对人类文明的两大贡献。
Lacquer Painting and Oil Painting are the representations of contribution to the Oriental and western civilization.
在西方油画中处理画面的立体感、空间感、质感、等诸因素都与光线与色彩联系紧密。
It is important to dispose the effect in three-dimensional and space and reality and so on in western painting.
有国画意味的中国油画是中国传统绘画和西方油画相结合的产物，是最能代表中国文化特点的油画形式之一。
As the product of the combination of traditional Chinese painting and western oil painting, the sinified oil painting is one of those oil painting styles that best represent Chinese culture.
在处理边缘线时西方油画一直存在两大体系，即重视边线的线描型和减弱边线的涂绘型，形成这两大体系的原因正在于画家们观察方法上的改变。
Two systems in the western oil painting exists long, that is, strengthening the sideline and weakening the sideline, which is formed by the change of the painters' observation method.
他不断尝试从西方现代艺术和民族传统艺术中汲取营养，是我国油画民族化的早期实践者。
He unceasingly tried to assimilate nourishment from modern western and national traditional art, and he is one of the earliest pioneers to advocate the national style of oil paintings.
西方写实油画传入中国已经有超过百年的历史。
The western realism oil painting has been introduced to China for more than one hundred years.
油画作为西方异质文化传入中国，历经明清两朝而未能进入中国主流文化；
Oil paintings was introduced into china as a heterogeneous culture of western Countries, but it did not come into being one part of Chinese main culture during Ming and Qin Dynasty.
而它与西方表现性油画艺术，在画面的平面性、装饰性方面却有着惊人的异曲同工之妙。
But, it is McRedible similar with western expressing oil painting art on flatness, ornament of picture.
国画和油画是分别具有典型东方和西方文化气质的画种。
Chinese traditional painting and oil painting are a kind have the representative east and west cultural ethos painting respectively.
油画语言是西方文化语境中的产物，而写意精神是中国艺术精神的集中体现。
The language of oil painting is the product of western culture and the spirit in the painting of liberal style is, however, the reflection of the spirit of Chinese art.
阿尔斯泰苏克，《每日电讯报》的艺术编辑说，这幅油画反映出了当代中国艺术家适应西方艺术风格和主题的趋势。
Alastair Sooke, the art writer for The Daily Telegraph, says the work reflects a trend of contemporary Chinese artists adopting Western styles and subjects.
然而，在西方现代主义思潮与商品社会的冲击下，中国油画的写实主义刹时迷失了精神家园。
However, under the assault from Western modernist trends and a commodity driven society, Chinese realism has for a moment lost its spiritual direction.
我们知道，油画起源于西方，油画人物肖像在欧洲有着很悠久的历史，自古典时期就比较盛行。
As we know, oil painting origins from western countries and has a very long history in Europe.
油画语言从本质上看，就是如何用油画的方式即西方艺术的色彩观念和造型观念去观察、表现客观事物。
In the essence, oil painting language is how to observe and perform objective things by using the concepts of color of Western art and modeling.
成熟期转向注重油画本体语言的挖掘和对西方艺术传统的系统学习。
The maturation period changes to excavating attaching importance to oil painting body language and the system to west art tradition study.
结合中国油画现状和西方现代艺术对中国的影响，提出提倡现实主义精神的看法和观点。
With the present situation of China oil painting and influence of eastern modern art, it put forward viewpoint and opinion of advocating realism.
通过对西方风景油画与中国传统山水画的比较研究，旨在研究、探索中国风景油画创作的民族化问题。
Through the comparative study of the two, the purpose of this paper is to explore the problem of nationalization of Chinese traditional landscape painting.
西方风景油画与中国传统山水画是在两种不同文化意识、两种不同审美理念的造就下形成的两种不同风格表现、不同视觉感受的绘画形式。
The Western landscape oil-painting and Chinese traditional landscape painting are two quite distinct paintings of style and visual effect under different cultural ideology aesthetic concept.
这是西班牙画家巴勃罗·毕加索的一幅油画，他被认为是二十世纪西方最伟大的画家。
This is a painting by the Spanish artist, Pablo Picasso, ________ ________ ________ the greatest western artist of the twentieth century.
中国写实油画进入二十世纪以来受到来自西方摄影艺术、现代主义艺术、现代科技及各种后艺术等多方面的冲击和挑战。
Chinese realistic oil-painting have met a lot of challenges from many aspects since the 20th century, such as, western photography, modernism art, modern science and technology and various post-arts.
而与之对应的西方人，要么是古代雕像，要么是油画肖像，要么是照片，总之力求还原。
The corresponding Westerners, such as ancient statues, painting portraits and photographs, short seeks to restore themselves.
油画是一种艺术表现形式，而中国油画只有摆脱对西方文化的依附，吸收中国传统文化的营养才能形成中国油画的民族风格。
Painting is a form of artistic expression, but only out of Chinese oil dependence on Western culture, traditional Chinese culture, Chinese oil Painting nutrition to form the national style.
油画是一种艺术表现形式，而中国油画只有摆脱对西方文化的依附，吸收中国传统文化的营养才能形成中国油画的民族风格。
Painting is a form of artistic expression, but only out of Chinese oil dependence on Western culture, traditional Chinese culture, Chinese oil Painting nutrition to form the national style.
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