我觉得衬线变得更高体积更易于接受。
不带这种衬线的字母称作无衬线字母。
一种字符没有衬线的字体。
是无衬线字体的一种形式。
不薄衬线浮雕，除非它们是大而明确的。
Thin serifs do not emboss well unless they are large and well defined.
比如说，它应该是一个衬线字体还是一个无衬线字体呢？
无衬线字型库有相关的斜体、黑体、和黑斜体。
The sans-serif font has associated italics, bold, and bold italics.
此类字体没有衬线，故又称为“无衬线字体”。
These are typefaces without serifs, otherwise known as sans-serif.
基本上第二个和第三个没什么区别，只是衬线不同而已。
Basicly there is no difference between the second and third 'n', only some parts of the serifs have been cut off.
顶饰：一些斜体英文字的主要笔画收笔时的回转弧线，它代替正体的衬线。
Finial: Curve that finishes a main stroke in some italic faces, replacing the serif of the roman.
这个“e”，已经决定了这个字体中的其余字符不应该是一个无衬线字体。
This means that the starting point, the 'e', already defined that the rest of the font cannot be a sans serif typeface.
一种始于18世纪的字体风格，其特点为轻重笔划之间略有不同，且有斜衬线。
Printing A style of type originating in the 18th century and characterized by slight contrast between light and heavy strokes and slanting serifs.
我学到衬线及无衬线字体、改变不同字母组合间的空间、是什么造就优良的排版。
I learned about serif and sans-serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great.
总的来说第三个n和第二个并没有多大区别，只是衬线的个别部分被切掉了而已。
Basicly there is no difference between the second and third 'n', only some parts of the serifs have been cut off.
Ingleby Font是一种美丽、细致、精美的衬线字体，有着古典传统的美丽符号。
A beautiful, carefully crafted serif font, with signs of the fine antiqua tradition.
哥德体：早期的哥德体亦称“古黑体”。现代的哥德体是等粗线条、无衬线的字体。
Gothic: early gothics are better known as black letters. contemporary gothics are plain sans serif type-face with lines of unvarying thickness.
哥德体：早期的哥德体亦称“古黑体”。现代的哥德体是等粗线条、无衬线的字体。
Gothic: Early gothics are better known as Black letters. Contemporary gothics are plain, sans serif type-face with lines of unvarying thickness.
印刷设计师们总是倾向于衬线字体，因为这种字体边缘明显，提高可视效果，使字形更容易识别。
Print designers have always favored serif fonts because the edges improve visibility and make letterforms easier to recognize.
我真的不知道在旧标志的图标是什么，但它看起来像看中陪一些陈旧的大胆衬线排版。
I'm not really sure what the icon in the old logo was, but it looked like something fancy to accompany some antiquated bold serif typography.
这有15个主要的案例展现了富有创意的商标设计者们仅使用一些无衬线体字体和一些基础的图形。
These 15 stellar examples show just how creative logo makers can be with barely more than a sans-serif font and some basic shapes.
衬线：在一些印刷字体的主要笔划两端的短横线。它本来是书写的起笔或收笔的笔势。
Serif: the short cross -lines at the beginning and end of the main strokes of certain type faces. Originally, it is the beginning or finishing strokes of the pen.
例如，你可以在模板层中放置一个字体的无衬线版本，然后在轮廓层制作这个字体的衬线版本。
For example, you can put the sans-serif version of the typeface into the mask layer while you are working on the serif version in the outline layer.
但 Eurostile 非常的易于使用，而且它额外的好处还在于能够在众多无衬线字体中脱颖而出。
Nevertheless, Eurostile is easy to use well, and it has the added benefit of standing out from the crowd of other typefaces in the sans serif genre.
当你切除了内部的衬线之后，内部的白空间就会比“n”的要大，所以必须进行视觉上的微调。
If you cut away the serifs, also on the inner side of the 'u', the white space inside the 'u' will get bigger then the white space inside the 'n'. This has to be optically corrected.
但是，随着越来越多的用户浏览分辨率的提高和字体平滑技术的改进，衬线字体显示正文文本可读性十分良好。
But with more users browsing at high resolution and the improvements in font-smoothing technology, serif fonts have become very legible for body text.
在这个班上，我学习了各种衬线和无衬线字体，如何改变不同字体组合之间的字间距，以及如何做出漂亮的版式。
I learned about serif and sans - serif typefaces about varying the amount of space between different letter combinations about what makes great typography great.
提示：如果你把文字放在你的设计中，使用一个粗体的无衬线字体的更有利于可读性，如arialBold。
Tip: if you are putting text on your design, use a bold sans-serif font for readability, such as Arial bold.
避免轻量级的字体以及那些要么非常窄要么非常宽的笔画字体。使用简单的无衬线字体和使用抗混叠来提高可读性。
Avoid lightweight fonts or fonts that have both very narrow and very broad strokes. Use simple sans-serif fonts and use anti-aliasing to increase readability.
洁净字体(clean font)包含了sansserif(无衬线字体)类字体样本，其比例标准、线条清晰且背景干净。
Clean fonts contain the samples of free fonts of the sans serif family with classic proportions, distinct lines, and clean backgrounds.
本文从字体设计艺术原理研究的角度出发，结合字体设计领域的研究资料，试图对当下应用颇为广泛的西文无衬线字体进行探讨。
The essay attempts to study the sans serif type which is widely used now from an artistic perspective of typeface designing by incorporating the research materials in the field of typeface designing.
应用推荐