公司有策划编辑部，绘画部，设计部三个主要部门。
The company is composed of three sections - planning and editorial department, painting department and design department.
卢浮宫表示，当取下作品后——这是一幅木头上的油画，绘画部的一位馆长在其背面发现了两幅很难看出来的素描，内容分别是一匹马的头部和半个骷髅。
"When taking down the work, an oil on wood, a curator from the paintings department noticed two barely visible sketches on the back, representing a horse's head and half a skull," the Louvre said.
您可以通过多种方式创建图象，比如从一部数码相机扫描一张，或者绘画或绘图程序创建。
You can create images in a number of ways, for instance with a digital camera, by scanning an image in, or creating one with a painting or drawing program.
这是如此浩繁，收集，其范围从绘画和滚动古代瓷器和塑像，只有它的一小部分是显示一次有史以来。
So voluminous is this collection, which ranges from paintings and scrolls to ancient porcelain and statues, that only a fraction of it is ever on display at once.
他从不关注一部书是如何经典或其绘画艺术史地位。
His concern was never a book's place in the Canon or a painting's in art history.
一部很地道的传统艺术短片，采取摆插与绘画结合的手法，色彩艳丽，用光讲究，结构完整。
A real traditional artistic short film integrated with posing and painting. Has strong colors, dainty lighting and complete structure.
绘画的存在不是单一的存在，它是整个文学艺术结构中的一部分。
The existence of painting was not onefold , but a part of the integrated literary and art structure.
论文的第二部分，阐明美术展览对中国绘画市场价格的影响。
The second part shows how the art exhibition influences the price of paintings in Chinese art market.
本文第一部分，论述马蒂斯绘画与东方绘画形成同构性的社会的、艺术本体的以及马蒂斯个人的原因。
Section I discusses the social and personal causes as well as the causes in art itself bringing about the isomorphism between Henri Matisse's painting and Oriental painting.
第三部分探讨费谢尔的艺术对中国绘画的影响。
The third part Probe into fee Fischl artistic impact on China.
两千年的中国绘画历程俨然就是一部写真版的中国文化史。
The course of two thousand years' Chinese painting just likes a cultural history, which is faithfully description.
女性绘画作为艺术范畴的一部分，是以女性的视觉描绘女性的生活及精神情感的，这也是它与男性绘画最根本的区别。
Women painting, as a part of an artistic category, is different from men's in that it depicts women's lives and their spiritual status from women's perspective.
她曾与当地的刺绣工一起工作，将她的一部分绘画作品复制到复杂的刺绣品上，然后依次将刺绣品添加到她自己的绘画当中。
She has worked with local embroiderers to replicate parts of her paintings in intricate embroidery, which in turn she interpolates within her own drawings.
在这一部分中，特别对赵佶绘画作品的甄别、书法的审美价值分析及画谱的编著情况等作了补充分析。
In this part, we will do many detailed analysis, for instance, the distinguish of painting work, the taste value of calligraphy, and compilation, etc.
本文第二部分论述马蒂斯的绘画观念与东方绘画观念的同构性。
Section II discusses the isomorphism of Matisse's painting conception and oriental painting conception.
第二部分深入绘画语言各个元素，通过具体实例详细分析西方现代绘画语言自觉的表现因素。
In the second chapter, it explores into each element of painting language and discusses the expression factors of the consciousness of western contemporary painting language by specific examples.
第六部分是古代徽派版画的继承和对后世绘画的影响。
Hui pai ancient prints' success and its impacts on paintings.
有鉴于此，吕松的绘画作品不仅是对自然的描绘，也是自然的一部分。
Through this, his paintings are not only about nature, they are also a part of nature.
第一部分论述绘画艺术创作中构图的重要性，阐明绘画创作中构图应遵循的原则。
The first part discusses importance of composition in the painting work, and to illustrate principle of composition.
第五部分分析意大利国际哥特式绘画中的北方趣味；
Part V expatiates on the northern atmosphere in the International Gothic Style in Italy.
第二部分总结了西方现代派绘画具有“童趣”特征的代表画家及作品；
The second part summarizes the modernist painting has a "naivety" feature on behalf of artists and works.
第四部分简要阐述了中国以及当代的黑暗题材绘画。
Part IV briefly expounded on China and the dark themes of contemporary painting.
第三部分归纳和分析三种不同美学范畴下的黑暗题材绘画作品。
Part III summarizes and analyzes the context of three different aesthetic dark theme paintings.
第五部分，是针对消费时代的绘画创作的理想语境的假想。
The fifth part, is aims at the expense time the drawing creation ideal linguistic environment imagination.
第二部分借鉴绘画艺术中的感知技巧和思维方式，提出了用艺术思维和艺术感觉力来把握感觉。 详细地论述了艺术感觉力的能力结构、特性及对设计师设计水平的影响。
The second part introduces art thinking and art sensibility from painting into product design for designer to master sense and demonstrates the structure of art sensibility.
第二部分从三个方面对黑暗题材绘画的艺术价值进行分析，即论证黑暗题材运用于绘画创作中的必要性和社会功效。
The second part of the dark subject matter from three aspects of the artistic value of painting, that argument used in painting the dark subject matter of necessity and social effects.
第二部分着重追溯经典古典绘画形式的历史来源——古代希腊和罗马的艺术形式。
I will focus on tracing the historical sources of classical painting forms-the artistic ones of ancient Greece and Rome in the second part.
第五部分，论述色彩的情感表现理念对本人绘画创作的影响。
The fifth part, discuss the performance principle of the emotion of color to oneself painting the influence of the creations.
第五部分，论述色彩的情感表现理念对本人绘画创作的影响。
The fifth part, discuss the performance principle of the emotion of color to oneself painting the influence of the creations.
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