随着他脱去他精致的一身行头，他那狂暴的精神似乎消失了许多。
A good deal of his blustering spirit seemed to have evaporated with the removal of his fine panoply.
美国人敢做能为的精神似乎没损一毫。
一种新的事在人为的精神似乎已经萌芽。
他总是面带微笑，兴趣盎然的眼神似乎是在说：“你对我很重要。”
Always with a smile and interested eyes that communicated, "You matter to me."
我们担心，神似乎在某些具体问题上保持沉默，如“我应该做什么工作？”
We worry when God seems silent on specific issues such as "What career should I choose?"
形似与神似是英汉翻译中两个相互关联的因素。
Form similarity and spirit similarity are two factors related to each other in English-Chinese translation.
他扮演“哈姆雷特”这个角色达到了神似的程度。
His acting of "Hamlet" showed great empathy with the character.
东方古代装饰艺术中的人物和动物造型具有神似的特点。
The figures of persons and animals in ancient oriental decorative arts have the character of spirit alike.
文学翻译论中关于“神似”与“形似”的争论由来已久。
The dispute of "spirit likeness" and "appearance likeness" in literature translation has been argued for a long time.
但通过网络我了解到，厦门与卡迪夫竟然有着许多的神似之处！
But through the network I know, xiamen and Cardiff actually had a lot of spirit likeness place!
布里斯托芯片设计者们的开拓精神似乎还会永远地存在下去，并且生生不息。
The pioneering spirit of Bristol’s chip designers seems set to live on.
英汉两种语言之间的种种差异使得在大多情况下，形似和神似不可两全。
The great differences between English and Chinese make it impossible to obtain both form similarity and spirit similarity in most cases.
诗歌是以形式为基础的文体，诗歌翻译既追求“神似”，也追求“形似”。
Poetry is a literary style which embodies itself in form. The translation of poetry aims at likeness not only in content but also in form.
我国传统译论讲究“神似”，承认“距离”在文学翻译过程中的审美意义。
Likeness in spirit "is particularly stressed in traditional Chinese translation theory and" distance "is considered to be crucial to the appreciation of the beautiful in literary translation."
她说她像Hebe。长得不错啦，但是我觉得只有发型和突然一笑比较神似。
She said she looks like Hebe. She's not bad looking, but I think only her hairstyle and the sudden smile...
王佐良的翻译观，即文化意识、“神似”、读者至上，对读者产生了深刻的影响。
Wang Zuoliang's translation perspectives, namely culture-consciousness, similarity in spirit, and reader-orientation, have exerted profound influences on his readers.
其实对形似和神似不同观点的重新审视和回顾，就敞开了一条通向诗学真理的通道。
Making a review of the different views anew is to open a path to the truth of poetic theory.
它不仅有言语肖、举动神情肖这些形似方面的要求，更有情肖这一神似方面的要求。
It not only needs the resemblance of language, act and expression, but also close resemblance in spirit.
“神似”与“形似”并非水火不容的二元，而是一对既相互矛盾又相互联系的概念。
Unlike water's incompatibility with fire, "spirit likeness" and "appearance likeness" are two parties contradictory and interrelated with each other.
在现实生活中，这位出类拔萃的人物并不起眼，他有点书呆子气，长得和伍迪·艾伦颇为神似。
In real life, the transcendent man is an unimposing figure who could pass for Woody Allen's even nerdier younger brother.
早在20世纪初，中国翻译界将艺术创作领域内得“形似”“神似”借来，作为处理译文的两种方法。
Chinese translation circle borrowed "resemblance in spirit" and "resemblance in form" from art field as two methods to guide translation in the early 20th century.
该文探讨了英汉两种语言的形式转换过程中，如何灵活运用汉语表现手法，使译文与原文达到神似的境地。
This paper is to discuss how to apply Chinese expression technique in the transformation from English to Chinese so as to achieve spirit similarity.
艺术家吉多·丹尼尔已经在人手上创作了很多漂亮的艺术品(远不止是神似)，并把手部彩绘艺术推向一个新高度。
The artist Guido Daniele has created such beautiful art works on the human hand, (which are not only super real), but take the art form to new heights.
虽然当时机遇之神似乎并不青睐我们，但我们深信(现在也仍然相信)，我们一定会把锁屏广告带到这个世界上。
The odds weren't stacked in our favor, but we believed (and still do) that we were going to bring lock-screen advertising to the world.
不管采用何种翻译方法，都要忠实于原片内容——主题思想，注意言简意赅，力求“形似”与“神似”，做到“信、达、雅”。
No matter what the translation method, we should be faithful to the original film content-the theme, concise and comprehensive attention, to "shape likeness" and "spirit likeness."
汉画像石画像砖夸张、变形、象征、装饰的手法以求神似，在形的处理上丰富了水墨画造型在“似与不似”之间广阔的空间的选择。
With the method of exaggeration, distortion, symbolic and decorative, Han portrait stones and bricks enriched the choice of wide space in Chinese brush drawing.
汉画像石画像砖夸张、变形、象征、装饰的手法以求神似，在形的处理上丰富了水墨画造型在“似与不似”之间广阔的空间的选择。
With the method of exaggeration, distortion, symbolic and decorative, Han portrait stones and bricks enriched the choice of wide space in Chinese brush drawing.
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