2005年赵川与同仁们在上海创立“草台班”剧社，致力于推动中国民间立场戏剧，建设非牟利的公共空间和社会剧场美学。
Zhao Chuan co-founded Grass Stage Theater Company with his colleagues in 2005. It aims to develop a non-profit public space and new social theatre aesthetics in China.
生活和社会都在不断变迁，肥皂剧也需要跟上时代。
Soaps need to remain contemporary: life and society are both constantly evolving.
通过情景剧与社会问题的结合，沟口将五个不同人物的故事用统一的世界观贯穿在一起。
By mixing melodrama with social concern, Mizoguchi is able to follow five story strands while maintaining a world view that is consistently critical regardless of the individual outcomes.
90年代以来金庸影视剧的改编情况，其实是影视与文学、影视与社会、影视与时代文化之间关系演进的缩影。
In fact, the recomposition of film and TV plays of Jin Yong since the 1990s is the reflection of visual art between literature, society, and times.
本文通过分析传奇剧《暴风雨》的主题意义，分析了莎士比亚人文主义思想的局限性，即面对社会罪恶时所表现的和解妥协思想。
This paper analyses the Tempest's thematic meaning, and seeks to show the limitation of Shakespeare's humanism, that is, compromise in face of social crime.
《火线》：如果说《朽木》展示的是整个社会如何齐心协力，那么《火线》，这部将背景设置在我们这个时代的电视剧讲述的却是一个伟大的美国城市如何分崩离析的故事。
The Wire: If Deadwood dealt with how society pulls itself together, but the Wire, set in our own time, concerned itself with how a great American city falls apart.
很多情况下，故事情节的确被重复了无数遍，区别仅仅是经历的人物不同而已。生活和社会都在不断变迁，肥皂剧也需要跟上时代。
It is often very true that storylines are rehashed over and over, just with different characters. Soaps need to remain contemporary: life and society are both constantly evolving.
本文第三章主要是对热播剧的社会背景做简要分析。
The third chapter was a brief analysis between the hot TV series and its social background.
在当代社会生活中，只要打开电视机，各种题材、风格的电视剧扑面而来。
In the current social life, whenever TV sets are turned on, various TV series with all kinds of topics and styles pumpout.
在大学里，他学习经济学和社会学，参加校足球队比赛和校剧社的演出。
There, he studied economics and sociology, played on the football team, and acted in school plays.
这部电视剧以“房奴”话题为主线却引发了有关当下社会情感选择问题的大探讨。
Although the main thread of the drama is about "mortgage slaves," it triggered a discussion about choice of love in the current society.
20世纪最为出色的社会学家，欧文·戈夫曼曾提出“拟剧理论”。
Erving Goffman, the most excellent sociologist in 20th century once put forward the "Social Dramatic Theory".
80年代那时候，好莱坞不再爱小型社会电影，而爱上了大型昂贵的幻想剧。
This was in the 1980s and at that time, Hollywood studios were falling out of love with small socially-engaged films and falling in love with big expensive fantasies.
80年代那时候，好莱坞不再爱小型社会电影，而爱上了大型昂贵的幻想剧。
This was in the 1980s and at that time, Hollywood studios were falling out of love with small socially-engaged films and falling in love with big expensive fantasies.
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