探讨了利用图像处理技术对磨损磨痕进行测量。
The wear scar measurement method has been investigated based on image processing.
结合微动磨痕形貌观察讨论并建立了水膜及油水混合膜结构模型。
Based on the observation of the topography of fretting scars, construction models of water film and oil-water mixed film were put forward.
通过扫描电子显微镜（SEM）和表面轮廓仪分析配副材料的磨痕表面形貌。
The morphology of worn surface was analyzed via scanning electron microscope (SEM) and by using a surface profilometer.
如果磨痕向内（即向足弓部位），那么你很有可能有过度内翻问题，应该尝试动作控制跑鞋。
If the heels tilt inward (toward the arches), on the other hand, you are probably an overpronator, and should try motion-control shoes.
通过对边界层参数的计算推论磨痕波长和波深演变规律，提出了冲蚀磨损机理新的研究思路。
Evolutional rule of wear trace wavelength and wave hollow from calculation of boundary layer parameter are deduced. A new thread of researches in erosion wear is provided.
结果表明：磨削损伤的主要形式有显微塑性变形磨痕、断裂剥落坑、磨削微裂纹和材料疏松区的塌坑；
It is showed that:(1)the major surface damage patterns due to grinding are microplastic deformation trace, fracture chipping pit, microcracks, and subsidence in the loosen region of material;
摩擦学性能由销一盘式试验过程中的摩擦力数据和对磨痕的表面轮廓仪和扫描电镜分析作出定量、定性的评价。
Friction force measurements during unlubricated pin-on-disc sliding tests, profilometry and SEM analysis of wear tracks are used to determine the wear behavior quantitatively and qualitatively.
使用扫描电子显微镜（SEM）和能谱分析（EDS）等观察分析磨损钢球表面的磨痕形貌、化学元素和纳米粒子形态。
The surface morphology of wear scar, nanoparticles and its element distribution have been tested and analyzed by scanning electron microscope(SEM) and energy dispersive spectrometry(EDS).
采用扫描电子显微镜(sem)、X射线光电子能谱仪(XPS)、傅立叶红外光谱仪(IR)对盘上磨痕进行表面分析。
The surface of the wear scar was analyzed by scanning electron microscopy (SEM), X-ray photoelectron spectroscopy (XPS) and Fourier infrared spectroscopy (IR).
为此，她进行了多种试验——她使用了不同类型的底层色，擦痕与磨痕，人为制造出一些光亮的玫瑰红斑点；总之，为了能捕捉人的潜意识，她不惜任何代价——她自己的画像与她的模特的画像。
She experimented with different kinds of underpainting, scraped and rubbed, made bright rosy red spots; doing whatever had to be done to capture the subconscious-her own and that of her models.
为此，她进行了多种试验——她使用了不同类型的底层色，擦痕与磨痕，人为制造出一些光亮的玫瑰红斑点；总之，为了能捕捉人的潜意识，她不惜任何代价——她自己的画像与她的模特的画像。
She experimented with different kinds of underpainting, scraped and rubbed, made bright rosy red spots; doing whatever had to be done to capture the subconscious-her own and that of her models.
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