在画布上选择房子。
画必须有坚硬的画架，这样画布才会绷紧，而且颜料不能变质、开裂或变色。
Paintings must have rigid stretchers so that the canvas will be taut, and the paint must not deteriorate, crack, or discolor.
从诸如此类的画开始，画布就是整个对象和整个宇宙，除此之外什么也没有。
Starting with paintings like this one, the canvas is the whole object and the whole universe, and there is nothing beyond it.
无论是梵高还是其他画家，都用画布现今表面上看到的肖像覆盖了第一幅画。
Either van Gogh or another painter covered the first painting with the portrait now seen on the surface of the canvas.
他们不需要打碎颜料和画布；他们超越了这一点，打碎了整个逻辑思维的连续性。
They did not need to smash paint and canvas; they went beyond this to smash the whole continuity of logical thought.
首先，你需要知道伦勃朗在画布上使用颜料的技巧——他的笔触，他的颜料有多厚。
First of all, you'll need to know the techniques Rembrandt used when he applied paint to canvas—his brushstrokes, how thickly he applied his paint.
因为下面的女人的脸也出现在梵高画过的画布上，所以这幅凸版印刷一定是梵高的自画像。
Because the face of the woman in the under image also appears on canvases Van Gogh is known to have painted, the surface painting must be an authentic self-portrait by Van Gogh.
画布撕裂的部分要小心地恢复到平整的状态，否则它将会恢复到由于事故造成的扭曲的状态。
The torn portion of the canvas had to be gently coaxed back to its flat state, otherwise it would return to the distortion left by the accident.
印象派画家倾向于把颜料涂得很厚重，而且喜欢用笔触很粗的画笔，所以画布的纹理很粗糙。
Impressionist painters tended to apply paint really thickly, and in big brush strokes, so the texture of the canvas was rough.
在这个函数的第一部分中，您设置了创建报告需要的对象，比如画布的宽度和高度以及填充变量。
In the first section of this function, you set up objects needed to create the report, like the width and height of the canvas, as well as padding variables.
本杰明·富兰克林在84岁时创作了一些最好的作品，巴勃罗·毕加索直到80多岁还在画布上作画。
Benjamin Franklin produced some of his best writings at the age of 84, and Pablo Picasso put brush to canvas right through his eighties.
同样的方法是否也适用于二十世纪的抽象作品呢？从蒙德里安的几何色块，到波洛克在画布上喷溅颜料看似随意的布局？
Could the same approach also shed light on abstract twentieth-century pieces, from Mondrian's geometrical blocks of colour, to Pollock's seemingly haphazard arrangements of splashed paint on canvas?
开始，图形化编辑器的画布是空的。
下图所示的变量视图会取代画布。
The canvas will be replaced by the variables view illustrated below.
画家的画笔在画布上飞掠。
画家把油画布紧绷在画框上。
这将只能捕获在画布中实际显示的内容。
This will capture only the actually displayed contents of the Canvas.
首先，画布是有衬里的么？
在画布上添加导入组件。
你完全可以出去买一张现成的空白画布了事。
如果你是一个画家，开始在画布上尽情勾勒吧。
方框的顶部距离原始画布的顶部23像素。
The top of the box is positioned 23 pixels below the top of our original canvas.
在这个距离内，这幅画布大概有15光年宽了。
At that distance, this canvas would be about 15 light-years across.
创建提交后，只需要将提交节点拖放到画布上。
Once you create your submission, you can simply drag the submission node onto the canvas.
右键单击画布并选择AddBinding。
例如，清单38中的代码显示一个画布中的一个按钮。
As an example, the code in Listing 38 shows a button in a canvas.
莫尼特把色彩刷在画布上的时候，美丽的画作诞生了。
When Monet brushed color onto canvas, he birthed beautiful paintings into the world.
BIRT调色板视图用来向报表画布中添加报表条目。
The BIRT Palette View is used to add report items to the report canvas.
BIRT调色板视图用来向报表画布中添加报表条目。
The BIRT Palette View is used to add report items to the report canvas.
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