对琴槌的调整不应象过去那样徒手操作。
Work on the hammers should not be performed freehand as it were.
如果你需要调整钢琴的音色，你可以尝试调整琴槌的硬度（2）来获得一个不一样的击弦亮度。
If you need to adapt the piano sound you could for example try adjusting the hammer hardness (2) to achieve a different brightness of the hammer strokes.
第二章，本文从钢琴的发音原理出发，寻找出主要影响演奏音色的两大要素：琴槌的运动方式和踏板的运用。
In the second chapter, based on the articulation principle of piano this essay finds two major factors which influence the performance timbre: the movement of the piano 's hammer and pedal.
一旦钢琴主人习惯了这种新调试过的琴槌，它们会发现他们对音调和情感可以更好地把握，而且他们现在可以把声音弹得非常柔和。
Once the owners become accustomed to the newly voiced hammers, they will find that they have much better control of expression and tone, and they can now play very softly.
一旦钢琴主人习惯了这种新调试过的琴槌，它们会发现他们对音调和情感可以更好地把握，而且他们现在可以把声音弹得非常柔和。
Once the owners become accustomed to the newly voiced hammers, they will find that they have much better control of expression and tone, and they can now play very softly.
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