王彤与她的父母去加拿大了。
你必须与王彤分担这笔开支。
被转让人：王彤，女，1952年出生，住加拿大渥太华。
Transferee: wang tong, female, was born in 1952, residing in Ottawa, Canada.
被转让人：王彤，女， 1952年出生，住加拿大渥太华。
Wang Tong, female, was born in 1952 , residing in Ottawa, Canada.
那么，王彤如此兴师动众地以自己的扮演与表演再现历史场面的企图何在？
So, what is Wang Tong attempting, stirring people up through this provocative performance, through the reenactment of historical scenes?
王彤的画面有故事，但是故事却是在物象的韵味之间讲出来，而不是表面的情节。
The works of Wang Tong have their stories that are spelled out amidst the lingering charm of drawings instead of superficial plots.
这种重新拍摄历史图像情景，通过摄影来还原历史情景应该不是摄影家王彤的初衷。
This reenactment of scenes found in historical images, is not an attempt on the part of the artist to recreate the original scene.
王彤的每条线都委婉的诉说着。有时诉说着无奈，而无奈重叠起来又变成一种粗砺，变成了执着甚至坚韧。
Each and every line of Wang Tong's works is a euphemism. It sometimes reveals helplessness that accumulates to become coarseness and even perseverance and tenacity.
王彤的每条线都委婉的诉说着。有时诉说着无奈，而无奈重叠起来又变成一种粗砺，变成了执着甚至坚韧。
Each and every line of Wang Tong's works is a euphemism. It sometimes reveals helplessness that accumulates to become coarseness and even perseverance and tenacity.
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