在狂草作品中，梁蓝波披离点划，以有形的书法传达著无形的精神。
In the best of Leong's work, the strokes of his brush reveal the invisible by means of the visible.
在《魏氏种植的伟大荷塘》中，他不断地解构和重建与狂草风格有关的表意形式。
In his Great Lotus Pond, he perpetually reconstructs and reconstructs ideographic forms in direct relation to a cursive style of painting.
藤，木的典范、水土的凝铸、生命的阐述。像不羁的狂草，有重笔有轻染，有淋漓的汁点。
Rattan , wood model, soil and water, life on casting. Like the uninhibited wild cursive, heavy pen having light dye, a dripping juices.
藤，木的典范、水土的凝铸、生命的阐述。像不羁的狂草，有重笔有轻染，有淋漓的汁点。
Rattan, wood model, soil and water, life on casting. Like the uninhibited wild cursive, heavy pen having light dye, a dripping juices.
然而，就算是在他那些最为“传统”的作品里，梁蓝波狂草的“狂性”仍然是他那激情和个性的引证。
Yet even when he is in his most "traditional" mood, the "wild" cursive qualities of Leong's calligraphic style bear witness to the questing passion at the heart of this artist's individuality.
本文对我国古代狂草大家进行了钩沉与阐释，让人们一瞻他们狂放不羁、逸势奇状、连绵萦绕、自成一格的书艺风采。
This article researches and explains the great ancient Chinese calligraphists of wild cursive hand. Their calligraphy is unrestrained, uninterrupted and formed their own style of art .
从甲骨文到竹简隶书到怀素的狂草，相同的字在历史演变中形式发生了那么多变化，而其本质承载的含义相比之下几乎是不变的。
From oracles to clerical script to cursive writing, same character in its historic evolution changed its shape in various ways, but its rudimental meaning stay relatively unchanged.
从甲骨文到竹简隶书到怀素的狂草，相同的字在历史演变中形式发生了那么多变化，而其本质承载的含义相比之下几乎是不变的。
From oracles to clerical script to cursive writing, same character in its historic evolution changed its shape in various ways, but its rudimental meaning stay relatively unchanged.
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