大岛渚作品的丰富性在于其将疏离感与参与感融为一体的能力。
The richness of Oshima's work lies in its ability to fuse alienation with involvement.
古河渚：渚是Clannad的第一女主角。
良渚文化大量海侵遗迹的存在可证明其原因为海侵所致。
The transgression remains found in Liangzhu culture can proved that the form of the fault was caused by transgression.
听说，柯桥瓜渚湖畔有音乐喷泉了，我们便兴冲冲地前往。
Heard Keqiao melon Nagisa music fountain lake, and we excitedly went.
然而大岛渚的影片也可以被解读为是对小津的重新诠释和回击。
Yet Oshima's film can also be interpreted as a reinterpretation of and a riposte to Ozu.
在无锡，我们去了鼋头渚风景区，我们乘船游览了太湖美景。
In Wuxi, we went to Yuantouzhu, and we took boat, the view of Taihu lake was beautiful!
终其整个职业生涯，大岛渚始终是一位煽动者和反偶像崇拜者。
Throughout his career, Oshima remained a provocateur and iconoclast.
本文提出的方法与已报导的渚方法相比较，有其明显的优点。
Comparisons with the methods reported so far reveal some advantage of our method.
然而，大岛渚作品的丰富性还在于其将离间与涉入加以融合的能力。
The richness of Oshima's work, however, lies in its ability to fuse alienation with involvement.
然而，大岛渚作品的丰富性还在于其将离间与涉入加以融合的能力。
Therichness of Oshima'swork, however, lies in its abilitytofuse alienation with involvement.
然而，大岛渚作品的丰富性还在于其将离间与涉入加以融合的能力。
The richness of Oshima 's work , however , lies in its ability to fuse alienation with involvement .
良渚文化遗址出土的文物表明，早在四千多年前浙江已经生产丝绸。
The cultural relics unearthed in the site of Liangzhu Culture show that as early as over 4000 years ago silk was already produced in Zhejiang.
分析了江苏无锡鼋头渚和江西共青城夜鹭卵中多氯联苯同系物的残留状况。
The residue situation of PCB congeners in eggs of night heron breeding in Wuxi area of Jiangsu and Gongqing City of Jiangxi was analyzed.
丝绸碎料在浙江湖州市吴兴区钱山漾的公元前2700年的良渚文化遗址上发现过。
Scraps of silk were found in a Liangzhu culture site at Qianshanyang in Huzhou, Zhejiang, dating back to 2700 BCE.[1][2]
早在四五千年前的新石器时代，先民就创造了璀璨的被称为文明曙光的良渚文化。
As early as in the New Stone Age, 4000to 5000years ago, its first inhabitants created the splendid Liangzhu Culture, reputedly called the twilight of civilization.
2007年，一座规模恢弘的古城，被考古学家一点一点从余杭良渚遗址上发掘出来。
In the year 2007, an ancient city of quite a big scale was unearthed little by little by archeologists on the site of LIANGZHU.
晚景则山衔红日，帆卷江渚，……春景则雾锁烟笼，长烟引素，水如蓝染，山色渐青。
Wanjing is the title of Red Hill, Vol Fan Jiang Houzhu, … … Chunjing lock Yanlong, fog, smoke Reply-long, with water as blue, green Shanse gradually.
经初步研究，在形制上与环太湖地区的良渚文化同类器物基本相近，材质有明显区别。
According to the preliminary studies, they are closed in shapes and different in materials when compared with the same kind of objects from Liangchu culture around Taihu Lake area.
就拿“鼋渚春涛”一景举例，在风和日丽的时候，太湖平静无波，如天上落下的一面宝镜；
For example, at "Turtle Islet Spring Waves" on a fine, sunny day, Taihu Lake becomes serene and tranquil like a jeweled mirror fallen from heaven;
在这层意义上，大岛渚的作品尽管正受到前所未有的冷遇，但也从未看上去如此重要和尖锐。
In that sense, Oshima's work - never so unfashionable - has never seemed so vital or so probing.
以泉州后渚大桥为实际工程背景，通过模拟船撞的缩尺模型试验，研究了实际船撞力的大小。
Based on a practical bridge across the Quanzhou, the scaled model testing on the forces of ship collisions was conducted.
广富林遗址良渚文化晚期的M 24、J 14出土了一批陶器，为良渚文化研究提供了新资料。
The pottery vessels unearthed from M24 and J14 of late period of Liangzhu culture provide new data for the studying of this culture.
塔山中层崧泽文化时期祭祀建筑遗存性质的认定，对良渚文化“祭坛”的渊源探讨具有重要价值。
The quality of the sacred building site in the middle stratum of Tashan, Songzhe culture is very important for the study on the origin of the altar of Liangzhu culture.
本文评价了良渚遗址保护与利用的策略之“良渚文化村”方式以及良渚文化博物馆的设计理念与手法。
The thesis discusses the planning of Liangzhu Culture Residence as a measure for the conservation of Liangzhu Archeological Site and the design of Liangzhu culture museum.
1936年，在杭州西湖博物馆工作的施昕更先生，第一次在自己的家乡余杭认证了良渚文化的存在。
In the year of 1936, Mr. Shi Xingeng, a worker with Westlake Museum, Hangzhou City, affirms for the first time the existence of LIANGZHU Cultur in his hometown—Yuhang District.
而另一方面，大岛渚的影片却需要观影者对其在日本历史和电影历史中所处的地位有一个更为全面的了解。
Oshima's films, on the other hand, demand a fuller understanding of his place in the history of Japan and the history of cinema.
良渚文化村欧式小镇的建筑风格与本地自然景观的结合产生了一种普世但又陌生的美，像一个童话小镇。
Thee combination of the European architectural style and local natural landscape creates a universal yet unfamiliar beauty for Liangzhu New Town, making it like a small fairy town.
希望国内外更多专家学者关注良渚文化，积极承接课题，为良渚文化这一人类文明瑰宝的保护研究献出智慧。
We hope both Chinese and international experts pay more attention to Liangzhu Culture, participate in the researches and undertake subjects.
希望国内外更多专家学者关注良渚文化，积极承接课题，为良渚文化这一人类文明瑰宝的保护研究献出智慧。
We hope both Chinese and international experts pay more attention to Liangzhu Culture, participate in the researches and undertake subjects.
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