阐述了杯萼海桑育苗中的采种、整地、苗圃管理，病虫害防治等过程中的技术要点。
The author discussed the main techniques of seeds collection, soil preparation, nursery management, and control of pests and diseases during the seedling cultivation of Sonneratia alba.
盐度对无瓣海桑幼苗长叶数、茎长、植株鲜重、主根长、根系鲜重等方面起抑制作用；
The number of leaves, the length of stem and root, the fresh weight of shoot and root system were inhibited with the increase of salinity.
2008年寒害使珠海市淇澳岛红树林遭受重大损失，红树林湿地中的海桑几乎全部死亡；
Mangroves on Qi'ao Island had suffered heavy losses due to the chilling injury in 2008, and almost all the Sonneratia caseolaris trees were frozen to death.
海桑人工种群已经出现某种程度的自然更新和扩散，这将有利于增加海桑人工种群的结构复杂性和稳定性。
Natural regeneration and dispersal of artificial S. caseolaris population had more or less occurred, which may increase the structural complexity and stability of the artificial population.
呼吸根：指由某种水生维管植物产生的特化的负向地性根(尤其如红树，如海桑属)，在土壤之上生长良好。
Pneumatophore aerophore; breathing root a specialized negatively geotropic root produced by certain aquatic vascular plants especially trees such as mangroves, e. g.
呼吸根：指由某种水生维管植物产生的特化的负向地性根（尤其如红树，如海桑属） ，在土壤之上生长良好。
Pneumatophore ( aerophore ; breathing root ) a specialized neg atively geotropic root produced by certain aquatic vascular plants ( especially trees such as man groves, e. g.
分析海桑属花粉在晚第四纪地层中的分布，对深入研究南海海区的物质来源、古环境和古气候等有着重要的意义。
The environmental and climatic fluctuation of the late Quaternary in the South China Sea was explored by analysing the distribution of Sonneratia pollen.
海桑属植物木材结构的特化与潮间带生境是相适应的，能在水分胁迫的生境中，有效地协调水分输导的有效性和安全性。
The results showed: a The specialized wood structures in Sonneratia, which can coordinate conductive capacity with conductive safety, are adaptive to intertidal habitats.
“幕布升起来，现出一架钢琴，”桑德海姆回忆道，“一个男演员拿一块抹布擦拭琴键，发出一阵叮当声。”
"The curtain went up and revealed a piano, " Sondheim recalled, "A butler took a duster and brushed it up, tinkling the keys."
他也体现出对多角度和谐音以及类似巴赫的精细旋律的嗜好[桑德海姆表明过他“热爱巴赫”，但是他最喜欢的是勃拉姆斯到斯特拉·文斯基时期的古典音乐]。
He also displays a penchant for angular harmonies and intricate melodies reminiscent of Bach (Sondheim has claimed that he "loves Bach" but his favorite period is Brahms to Stravinsky). [6].
尽管他最喜欢的电影包括《公民凯恩》、《愤怒的葡萄》和《天国的阶梯》等经典，桑德海姆说他讨厌电影音乐剧。
Though his favorite movies include classics like Citizen Kane, The Grapes of Wrath, and Stairway to Heaven, Sondheim says he dislikes movie musicals.
桑德海姆和普林斯的合作在《那》以后基本结束。
The collaboration between Sondheim and Prince would largely end after Merrily.
《那》的失败强烈影响到桑德海姆。他一度想要退出戏剧界，转而做电影，或者电玩，或者写惊悚小说。
The failure of Merrily greatly affected Sondheim; he was ready to quit theater and do movies or create video games or write mysteries.
这个时候，桑德海姆已经参与到三部剧目之中——他还得在百老汇品尝失败的滋味。
At this point, Sondheim had participated in three straight hits - he'd yet to taste failure on Broadway.
她说，“但是我没跟桑德海姆睡过。”
“幕布升起来，现出一架钢琴，”桑德海姆回忆道，“一个男演员拿一块抹布擦拭琴键，发出一阵叮当声。”
"The curtain went up and revealed a piano," Sondheim recalled. "a butler took a duster and brushed it up, tinkling the keys."
汉默斯坦对小桑德海姆有非常大的影响，尤其是培养起他对音乐剧的热爱上。
Hammerstein had a profound influence on the young Sondheim, especially in his development of love for musical theater.
桑德海姆的事业成熟期很多样化，不仅限是音乐剧的创作。
Sondheim's mature career has been varied, encompassing much beyond composition of musicals.
尽管如此，他还是被桑德海姆那时而甜蜜时而酸楚，融合和谐与不和谐的音乐深深折服。
Still, he came to admire the sweet-and-sour mix of harmony and dissonance in Stephen Sondheim's intricate songs.
尽管这首歌是桑德海姆唯一一首进入前40名榜单的单曲，但是很多酒店以及戏剧歌手在单独表演或者录制唱片时都常常选用他的歌曲。
Although it was Sondheim's only Top 40 hit, his songs are frequently performed and recorded by cabaret artists and theatre singers in their solo careers.
《太平洋序曲》[1976]是桑德海姆与普林斯搭档的最异于传统的作品，它巧妙的表现了日本西方化的过程。
Pacific Overtures (1976) was the most non-traditional of the Sondheim-Prince collaborations, an intellectual exploration of the westernization of Japan.
桑德海姆说他看了很多面试带并坚持认为卡特的表演是最好的。
The composer says he watched a dozen or so audition tapes and insists that Bonham Carter's performance was the best.
当弗克西于1993年9月15日去世之后，桑德海姆拒绝参加她的葬礼。
When Foxy died on September 15, 1993, Sondheim refused to attend her funeral.
桑德海姆与剧本编写者阿瑟·劳伦兹密切合作完成了词的创作。
Sondheim worked closely with book writer Arthur Laurents to create the show.
桑德海姆的作品向来以歌唱部分复杂的多重声部出名，例如1973年《小夜曲》中五个小角色组成的希腊合唱组。
Sondheim's work is notable for his use of complex polyphony in the vocal parts, such as the chorus of five minor characters who function as a sort of Greek chorus in 1973's a Little Night Music.
如无特别标注，词曲作者都是斯蒂芬·桑德海姆。
Unless otherwise noted, music and lyrics by Stephen Sondheim.
桑德海姆对戏剧的兴趣要追溯到《炎热的五月》[VeryWarmfor May]——他在九岁时观看的一部百老汇音乐剧。
Sondheim traces his interest in theater to Very Warm for May, a Broadway musical he saw at the age of nine.
桑德海姆对戏剧的兴趣要追溯到《炎热的五月》[VeryWarmfor May]——他在九岁时观看的一部百老汇音乐剧。
Sondheim traces his interest in theater to Very Warm for May, a Broadway musical he saw at the age of nine.
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