爱情是文学作品永恒的母题。
爱情是文学作品永恒的母题。
唐初汉译佛经已具备冯燕杀不义妇故事的基本母题要素。
There is the basic motif factor that Fe ng Yan does not kill women because of errantry in the sutra in the Tang.
庞杂的古代金银变化母题，离不开这一外来思路的最初启发。
But this motif of changing for gold and silver derives from other countries.
叔侄之争、为父报仇、俄狄浦斯情结是该剧的三大故事母题。
There are three parent stories in Hamlet: conflict between uncle and nephew, revenge his father, Oedipus Complex.
《日落狂沙》中反复出现的母题是一扇打开的门，里面是已知，外面非已知。
A recurring motif throughout the Searchers is the open doorway; inside is the known, outside is the other.
二月河清帝系列小说中的戏曲文化母题，有着丰富的民俗内容。
There is a great deal of folklore contents which are about the origin of the traditional opera culture in the novel of February river in Qing Dynasty monarch line.
景观设计延续山体形象这一母题，用大面积斜面草坡与建筑呼应。
Landscape design continues the image of the mountain motif, echoing with a large area of grass and building ramps.
古代小说“发迹变泰”题材中，最重要作品的母题动机即本于此。
The most important motif comes from the sutra story in ancient novels about rising to power and wealth.
以摩竭意象为核心，佛经故事构成了海外意外获宝母题的文化氛围。
Based on the image of Capricom, the sutra story formed a cultural atmosphere of accidentally obtaining treasure abroad.
在清代通俗小说创作中，更出现不少此类母题互相抄袭的小说史现象。
In the earthliness novel produce of Ming Qing, there are many motifs copying phenomena.
这是诗歌创作与诗歌母题的组成部分，我这学期将会讲到这方面的内容。
That's part of the work and part of the subject and part of what I will be talking about here.
唐璜传说是西方文学中一个永恒的母题，400年来一直被常写不衰。
The Don Juan legend is an eternal theme in European literature and has been used continually for about 400 years.
母题利用变羊信仰教训妒妇，故事主流倾向被注入了男性强势文化导向。
The motif USES changing sheep to punish jealous woman, and its mainstream current was transfused strong male culture proneness.
作者将比较故事学的理论覆盖面铺开，着力阐发了母题类型比较的方法。
The author makes the theory of narration open, and lays emphasis on explaining of the means about comparing motive types.
其作为从印度传来的佛经故事母题，确立了中土闻音预见母题的文学构架。
It is derived from the Sutra story of the India, which shapes literature structure of forecasting by hearing sound motif in Chinese.
在空间的处理上也同样采用了细胞的母题，在虚实两个方面强化了设计概念。
Cell motif is also adopted in spatial treatment, and the design concept is enhanced on both true and false aspects.
母题源于民间叙事文学研究，本意是指反复出现在不同文本中的最小叙事单元。
The motif, stemmed from the studies of folk narrative literature, originally means the smallest narrative unit which appears repeatedly in various texts.
其由史书系列性悬想式“写实”而至，却构成了古代叙事文学的一个精彩母题。
It comes from supposing facts of series of history records, and meanwhile it becomes an attractive motif of ancient narrating literature.
本文的第一部分着重分析《十四行集》中异乡母题的抒情结构：“双重视域”。
The first part analyzed the lyric structure of parent subject in the collection of sonnets: double visual angle.
各种神话学研究成果表明，比较研究和母题分析研究方法是各类神话研究十一。
The paper makes an analysis of the characteristic and the origin of the five types mythology and makes a comparison of the views.
语言禁忌之所以构成了此母题的中心话语，完全是由于语言禁忌的现实处境所致。
Language taboo makes up the central discourse of this motif mainly because of the realistic situation of language taboo.
设计中灵活运用了场地环境设计法、母题单元设计法和借鉴了传统建筑设计手法。
Site design and unit design method were flexibly employed and traditional culture and design methods used for reference.
这些思维体现在使用乡土材料、祈禳意识主导，母题范式衍化、依循风俗变迁等方面。
These distinctive thoughts mainly consist in using rural materials, praying consciousness, evolvement of motif, and custom transmutation.
通过对《原野》中复仇母题的分析展现《原野》的悲剧精神以及《原野》中人物的英雄性。
This essay reveals the three leveb of the tragic essence in the revenge motif and discusses the heroic quality of the characters in this novel.
一般母题与个别文化母题间的区别，也是从美学和诗学角度对文学母题作以评价的出发点。
Besides, the difference between the common motif and the specific motif is the basic point which can be used to appraise the literature motif by the way of the aesthetics and the poetics.
本文试从人的情感，人的困惑和呈露出来的女性意识三个方面论述了女性诗歌母题的取向。
This article tries to discuss the thematic inclination of the female poems from three points: the feeling to the people, the puzzlement to the people and the female consciousness.
本文试从人的情感，人的困惑和呈露出来的女性意识三个方面论述了女性诗歌母题的取向。
This article tries to discuss the thematic inclination of the female poems from three points: the feeling to the people, the puzzlement to the people and the female consciousness.
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