复杂的情节，正剧风格的架构，加上大段大段的咏叹调，这一切使得这些歌剧难以编排。
The convoluted plots and the conventions of the opera seria style, with their long da capo (repeat) arias, were thought to make them unperformable.
尽可能使它详细，这样在将它转化成真正剧本的时候所花费的精力要比刚开始就创作剧本小得多。
Make it as detailed as possible so that converting it into the actual script takes less effort than creating the script from scratch.
你可以走过去跟一个喜剧制作人说‘这是科幻’然后他就会说‘这是正剧——拿去给正剧制作人’。
You could go along to a comedy producer and say 'This is science fiction' and he'd say 'This is drama - take it to a drama producer.
同时指出，从《手机》开始，冯小刚开始叙事转型，转型过程是从喜剧到悲剧再到正剧。
Meanwhile, this part indicates that Feng Xiaogang starts his narrative transformation after the film the Mobile Phone, from comedy to tragedy then to serious play.
同时指出，从《手机》开始，冯小刚开始叙事转型，转型过程是从喜剧到悲剧再到正剧。
Meanwhile, this part indicates that Feng Xiaogang starts his narrative transformation after the film the Mobile Phone, from comedy to tragedy then to serious play.
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