杜夫海纳认为审美对象是纯粹知觉对象。
Mikel Dufrenne held that the aesthetic object is a pure object of perception.
杜夫海纳的深度分别表现为审美对象的深度、审美知觉的深度，以及二者的关系。
The depth of Dufrenne respectively expresses the depth of object and subject, and the connection between them.
现象学美学是二十世纪西方最具影响力的美学思潮之一，审美对象是以杜夫海纳为代表的现象学美学家所关注的焦点。
Phenomenological aesthetics is one of the most influential trends of aesthetics thought in the West in the twentieth century.
现象学美学是二十世纪西方最具影响力的美学思潮之一，审美对象是以杜夫海纳为代表的现象学美学家所关注的焦点。
Phenomenological aesthetics is one of the most influential trends of aesthetics thought in the West in the twentieth century.
应用推荐