书籍有时采用木刻版画插图。
主讲人董长英先生长期研究新加坡木刻版画艺术。
The speaker Mr. Tong Siang Eng is a long-time researcher of woodcut art in Singapore.
白文木刻用木刻版印的凸版画。 雕去它的主题部份，成非印纹，在黑色下面造成白色线条的图形。
White line engraving a relief print made from a block in which the non-printing engraved lines form the subject producing a design in white lines and areas on a black ground.
朱宣咸（1927——2002），又名：浙人。杰出的中国画画家、木刻版画家、漫画家与美术活动家。
ZHU Xuanxian, 1927(Zhejiang)—2002(Chongqing), is an artist of traditional Chinese painting, woodcut and caricature, and also an activist in fine arts.
在极度繁荣的明代木刻版画中，除了细致工整的阳刻版画外，还出现了大刀阔斧、活泼明快、黑白相衬的阴刻版画；
At the flouring period of woodcut printing, there appeared many intaglio printing which is bold and resolute, vivacious, equilibrating black and white, besides the meticulous and tidy relief printing.
抗战时期的重庆木刻版画作为抗战时期重庆美术的重要组成部分，其显著的特征在中国现代美术史上谱写了重要的一页。
During the period, Chongqing's woodcut print, which was important component of arts, played important role in China's modern art history.
本次展览包括了一批木刻版画和亚麻油毡浮雕版，如《森林》(2008)和三联张《黎明之一、二、三》(2009)以及作品集《风景》(2001)。
The exhibition includes woodcut and linocut prints such as Forest (2008) and the triptych Twilight I, Twilight II and Twilight III (2009) and the portfolio Landscape (2001).
本次展览包括了一批木刻版画和亚麻油毡浮雕版，如《森林》(2008)和三联张《黎明之一、二、三》(2009)以及作品集《风景》(2001)。
The exhibition includes woodcut and linocut prints such as Forest (2008) and the triptych Twilight I, Twilight II and Twilight III (2009) and the portfolio Landscape (2001).
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