汤显祖是晚明戏剧宗师，也是一位杰出的戏剧理论家。
Tang Xianzu was a great master of drama in late Ming dynasty. He was also an excellent drama theorist.
李玉是晚明至清初的戏曲大师。
Li Yu was a drama master of the transitional period of the Ming Dynasty and Qing Dynasty.
增益行为也反映了中晚明士人的审美趣尚。
The augmentations also represent the aesthetic interests of the intellectuals in the middle and late Ming Dynasty.
以王艮为首的泰州学派在晚明启蒙思潮中起了先锋的作用。
Taizhou School of Thought, headed by Wang Gen, was the pioneer of the Enlightenment Movement during late Ming Dynasty.
晚明的文人思想家们，对晚明文学思潮的产生有着直接重要的影响。
The ideologists in Late Ming Dynasty generated direct and important influences on the literary thought trends.
晚明是中国封建社会历史中引人注目的时期。
The late Ming Dynasty is a noticeable one in the feudal age.
结语部分指出晚明浪漫主义书风的启示所在。
The last part proposed the enlightenment of the late Ming dynasty in calligraphy.
嘉靖和晚明是明代九边说法形成与演变的两个主要时期。
Jiajing and late Ming are two major historical periods that chiu-pien (the nine frontier fortifications system) theories shaped and evolved.
晚明“异端”思想的社会化，是中国思想史上的典型范例。
The socialization of the heresy in late Min dynasty is a paradigm in the history of Chinese ideology.
作为晚明美学思潮的代表性人物，李贽通过“童心说”揭起了个性解放的大旗。
As the representative person in the aesthetic movements in the latter of Ming Dynasty, years li Zhi preached his opinion of individuality liberation through his theory of "innocent mind".
“情教观”是晚明作家冯梦龙在其辑评的文言短篇小说集《情史》序言中提出的观点。
The view on education based on emotion was proposed by Feng Menglong, a writer in the late Ming Dynasty, in his preface of a collection of short stories ?"History of Love Stories".
霞客游记丰富了晚明自传的内容，在写作样式上具有把日记、游记、自传三合一的倾向。
The style has actually enriched the content of late-Ming Dynasty autobiography, tending to combine diary, travel notes and autobiography as one.
这些差异表明，中唐传奇作者的浪漫主义情愫逐渐让位于晚明商品经济社会的现实主义思考。
These differences indicate that the romantic feelings of the Tang romance author have given way to the realistic thinking of the commodity economy society of the late Ming Dynasty.
晚明小品突破传统散文“微言大义”模式，把主题引向人的日常生活，注重个体化的生活方式和精神方式。
They broke through the traditional prose's theme pattern----"sublime works with deep meaning". Their theme was led to daily life and paid attention to individual way of life and way of spirit.
晚明小品文具有超然洒脱的闲情逸致，崇尚大自然的幽情别致，重视个体感性的存在、世俗需求和身体的快乐。
Essays in Late Ming Dynasty advocate exquisite feeling of nature to be unique, stress emphasis on the individual perceptual existence and common custom demand and bodily joy.
传统儒家基于“志于道”的终极理念而确立起的士人经典化的生活模式，在晚明社会的变迁中陷入了极大的窘境之中。
The classics way of life based on the Confucian existence theories was in an awkward predicament following the social transition in late Ming time.
晚明散曲家施绍莘是明人散曲中之大成者，他采用昆腔新声创制了许多优秀的散曲作品，并且获得非常好的市场反响。
Shi Shaoxin, who was said to be the synthesizer of Sanqu creationers in Latter Ming Dynasty, made many perfect Sanqu works with new tunes, and obtained a very good market response.
更重要的是这一形象负载着晚明传统士人深厚的自我人格精神，成为混乱黑暗的特殊时代中传统士子的理想人格范型。
Furthermore, this part mirrors profound self-esteem of classical scholars in the Late Ming dynasty, which has become an ideal traditional scholars' personality prototype in that dark era.
然其身后不久，邢侗及其作品便渐渐淡出人们的视野，与董其昌、张瑞图等一直承续着晚明煊赫的声名形成鲜明的对比。
However shortly afterwards, Xing Tong, together with his works was gradually out of our sights in sharp contrast with Dong Qichang, Zhang Ritu who keeps great fame in the late of Ming.
更重要的是，晚明名妓在艺术活动中所表现出来的为艺术而艺术的精神富有艺术史意义，因而使得她们在艺术史上的地位凸显出来。
More importantly, their spirit of "art for the sake of art" is meaningful in artistic history, which makes their status in art history outstanding.
晚明经世群体对于明王朝的衰败缺乏本质上的认识，缺乏对整个社会的宏观考察，其经世思想，并没能挽救明王朝覆灭的命运，但是仍产生了深远的影响。
The Jingshi group did not know about the essence of whole social problems and could not save the Ming Empire, but their thought still put an important effect on the people at that time and late ages.
而明戈特老太太的住宅建得晚一些，她悉数摈弃了年轻时代那些笨重的家具，将第二帝国轻浮的室内装饰品与明戈特的传家宝熔为一炉。
Mingott, who had built her house later, had bodily castout the massive furniture of her prime, and mingledwith the Mingott heirlooms the frivolous upholstery ofthe Second Empire.
而明戈特老太太的住宅建得晚一些，她悉数摈弃了年轻时代那些笨重的家具，将第二帝国轻浮的室内装饰品与明戈特的传家宝熔为一炉。
Mingott, who had built her house later, had bodily castout the massive furniture of her prime, and mingledwith the Mingott heirlooms the frivolous upholstery ofthe Second Empire.
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