李玉是晚明至清初的戏曲大师。
Li Yu was a drama master of the transitional period of the Ming Dynasty and Qing Dynasty.
谢肇氵制是晚明一位重要的文学家、诗人。
Xie Zhaozhe was a noted writer and poet in the late Ming Dynasty.
增益行为也反映了中晚明士人的审美趣尚。
The augmentations also represent the aesthetic interests of the intellectuals in the middle and late Ming Dynasty.
晚明是中国封建社会历史中引人注目的时期。
The late Ming Dynasty is a noticeable one in the feudal age.
结语部分指出晚明浪漫主义书风的启示所在。
The last part proposed the enlightenment of the late Ming dynasty in calligraphy.
晚明小品代表了明代中叶崛起的人本主义思潮。
The essays in the late of Ming times embodied the humanism that rose in the late of Ming times.
汤显祖是晚明戏剧宗师，也是一位杰出的戏剧理论家。
Tang Xianzu was a great master of drama in late Ming dynasty. He was also an excellent drama theorist.
嘉靖和晚明是明代九边说法形成与演变的两个主要时期。
Jiajing and late Ming are two major historical periods that chiu-pien (the nine frontier fortifications system) theories shaped and evolved.
第四部分是对晚明浪漫主义书风勃兴的思想资源的阐释。
The third part is to demonstrate the late Ming dynasty romantical calligraphy development vein.
以王艮为首的泰州学派在晚明启蒙思潮中起了先锋的作用。
Taizhou School of Thought, headed by Wang Gen, was the pioneer of the Enlightenment Movement during late Ming Dynasty.
晚明“异端”思想的社会化，是中国思想史上的典型范例。
The socialization of the heresy in late Min dynasty is a paradigm in the history of Chinese ideology.
这种变异画风的形成，与晚明的社会背景影响有着密切的关系。
Moreover, late Ming's social and history climate also contributed to this variation painting.
晚明的文人思想家们，对晚明文学思潮的产生有着直接重要的影响。
The ideologists in Late Ming Dynasty generated direct and important influences on the literary thought trends.
这些僧尼形象体现了晚明的社会思潮、因果观念和女性观念的多层意义。
These images embody multiple significance, that is, social trends of thought in later Ming Dynasty, concept of cause and effect and concept of women.
作为晚明美学思潮的代表性人物，李贽通过“童心说”揭起了个性解放的大旗。
As the representative person in the aesthetic movements in the latter of Ming Dynasty, years li Zhi preached his opinion of individuality liberation through his theory of "innocent mind".
否定的历史成因有中国学术思潮自身变化的作用，也有晚明以后输入的西学的驱动。
A historical study proves that this is partially due to the changes of the Chinese academics, and partially to the influences of the western science since late Ming dynasty.
“情教观”是晚明作家冯梦龙在其辑评的文言短篇小说集《情史》序言中提出的观点。
The view on education based on emotion was proposed by Feng Menglong, a writer in the late Ming Dynasty, in his preface of a collection of short stories ?"History of Love Stories".
晚明的插图本，不管梓行数量还是质量都远超前代，具有极高的文本价值和审美价值。
The illustrated edition had never been seen more both in quantity and quality in the press at any time than in the late Ming Dynasty.
霞客游记丰富了晚明自传的内容，在写作样式上具有把日记、游记、自传三合一的倾向。
The style has actually enriched the content of late-Ming Dynasty autobiography, tending to combine diary, travel notes and autobiography as one.
本论文从“全球化”的角度、“世俗之风”这一视域整体观照晚明艺术设计，以论带史。
From the view of "globalization", "fashion of secularization", this thesis reseaches on the design of late Ming Dynasty with the way of"comment following history".
这些差异表明，中唐传奇作者的浪漫主义情愫逐渐让位于晚明商品经济社会的现实主义思考。
These differences indicate that the romantic feelings of the Tang romance author have given way to the realistic thinking of the commodity economy society of the late Ming Dynasty.
晚明小品突破传统散文“微言大义”模式，把主题引向人的日常生活，注重个体化的生活方式和精神方式。
They broke through the traditional prose's theme pattern----"sublime works with deep meaning". Their theme was led to daily life and paid attention to individual way of life and way of spirit.
第一章“谢肇淛生活时期的晚明社会和福建文坛”：前半介绍谢肇淛生活的晚明时代特殊的历史文化景观；
In the first half of this chapter, author introduced the special historical and cultural conditions in later Ming dynasty;
晚明小品文具有超然洒脱的闲情逸致，崇尚大自然的幽情别致，重视个体感性的存在、世俗需求和身体的快乐。
Essays in Late Ming Dynasty advocate exquisite feeling of nature to be unique, stress emphasis on the individual perceptual existence and common custom demand and bodily joy.
传统儒家基于“志于道”的终极理念而确立起的士人经典化的生活模式，在晚明社会的变迁中陷入了极大的窘境之中。
The classics way of life based on the Confucian existence theories was in an awkward predicament following the social transition in late Ming time.
传统儒家基于“志于道”的终极理念而确立起的士人经典化的生活模式，在晚明社会的变迁中陷入了极大的窘境之中。
The classics way of life based on the Confucian existence theories was in an awkward predicament following the social transition in late Ming time.
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