曾梵志《无题》；油画画布，画框；2006年作。
李商隐是我国古代著名诗人，他的无题诗在文学史上影响很大。
Li Shangyin was a famous poet in ancient China and his untitled poems had great influence on literature history.
然后计算机进行计算，并将数字转换为表明该无题形象的图像。
The computer then makes the calculations and converts the Numbers into a picture that shows an image of the object in question.
曾梵志《无题(面具系列)》；油画画布，画框；2000年作。
Zeng Fanzhi, Untitled (Mask Series), oil on canvas, framed, 2000.
“无题诗”的“沉博绝丽”风格在李商隐诗作中具有一定的代表性。
The pensive beautiful style of the titleless poem is typical of the poems by Li Shangyin.
在《无题02-1》中，左侧人物穿着一件有着好几种色调的蓝色外套；
The left-hand figure in Untitled 02-1 wears a coat composed of several tones of blue;
这是我很喜欢的一幅照片，他的表情让我看到了很多说不清楚的东西，所以无题。
This is a picture I like very much; his expression lets me see some unclear things, therefore untitled.
用散斑法测量无题的位移、应变、振动、等是散斑法在实验力学中的主要应用之一。
One main application of the speckle measurement method in experimental mechanics is to measure the displacement, strain, vibration and so on.
李商隐“无题”诗和莎士比亚“十四行”诗分别在中国与英国抒情诗的历史上占有重要地位。
Both Li Shangyin's untitled poem and Shakespeare's Sonnet play very important role in the history of lyrical poetry in China and England respectively.
李商隐是晚唐杰出的诗人，他善于用婉曲的艺术手法表现自己的情感世界，他的无题诗就体现了这一特点。
He was proficient in presenting his emotional world with mild and roundabout artistic methods, which were characterized in his untitled poems.
在影像《无题(蚂蚁)》我们看到蚂蚁到处爬，背走一堆报纸上剪下的汉字，好像随机地在画面外组合文字。
In the video Untitled (ants) we see ants crawling around and carrying off a pile of newspaper cut-out Chinese characters, as if randomly assembling a text offscreen.
他的面具系列画与线性抽象画(比如《无题no.1》)有着显著的差异，这从他最后一批面具画开始出现。
His various Mask paintings are remarkably different from linear abstractions such as Untitled No. 1, which followed at about the time of the last of the Masks.
《无题》2中一只眼睛的头部是倾斜的，形象温柔但却暗示着一种坚定，在<无题>5和7的面部中也有真实的表现。
In Untitled 2 the one-eyed head is tilted, the features though soft suggest a certain sternness, which is also true of the faces in Untitled 5 and Untitled 7.
《无题》13和15都是如此，不明显的脸显现出正朝向纸的边缘移动，很好地体现了对画外有画（画外世界）的暗示。
Untitled 13 and Untitled 15, both pieced in which the faint face appears to be moving towards the edge of the paper, are good examples of this suggestion of a world beyond.
我在最高的一块熔钢前停住了脚步。“无题（门），2008，不锈钢”。我拿出我的手机拍照想留住这一凝固的瞬间。
I stopped in front of the tallest piece: "non-object (door), 2008, stainless steel", and pulled out my phone camera in an effort to coagulate the traffic, to stop the viscosity for one moment.
李商隐则独辟蹊径，选择创写《无题》诗，这更适合他含蓄阴柔、欲说还休的朦胧诗风，他将这种朦胧含蓄之美推向了极致。
Yin is inventive, creative writing options "Untitled" poem, which is more suitable for his subtle feminine, Unspoken Obscure wind, he implied that hazy beauty to the superlative.
李商隐则独辟蹊径，选择创写《无题》诗，这更适合他含蓄阴柔、欲说还休的朦胧诗风，他将这种朦胧含蓄之美推向了极致。
Yin is inventive, creative writing options "Untitled" poem, which is more suitable for his subtle feminine, Unspoken Obscure wind, he implied that hazy beauty to the superlative.
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