拉康和弗朗西斯·韦非常详细地阐述了照片可能对艺术家有价值的观点。
The view that photographs might be worthwhile to artists was enunciated in considerable detail by Lacan and Francis Wey.
齐泽克，拉康，真实与象征秩序。
无意识，拉康写到，是它者的话语。
The Unconscious, Lacan writes, is the discourse of the Other.
拉康主张，弗洛伊德区别驱力与本能的差异。
Lacan maintains Freud's distinction between drive (Trieb) and instinct (Instinkt).
好的，下节课我们要，讲到拉康，这将是件艰巨的任务。
Okay. So next time we will turn to the somewhat formidable task of understanding Lacan.
本文则是从拉康的“镜像阶段”理论入手去分析该作品。
Here in this paper, the writer would like to interpret this work with the theory of "mirror stage" of Lacan.
我自己的想法是基于拉康的精神分析理论中的“镜像阶段”。
My own theory is based on Lacan’s psychoanalytic theory of The Mirror Stage, during which a child becomes aware and captivated about by its own image.
拉康关于自我建构的精神分析理论扩展了文学批评的视野。
Jacques Lacan 's psychoanalysis theory of self - construction expands the view of literary criticism.
通过修改索绪尔的所指与能指图式，拉康建构出S/s模式。
He constructs his unique mode S/s by modifying Saussurean diagram.
本文主要论述拉康思想“无意识即他者的话语”的美学内涵。
This thesis centers on the aesthetic conception of Lacan's theory of the Unconscious is the Discourse of the Other.
与其同时，拉康试图将精神分析学从其心理学以及规范化趋势中解放出来。
At the same time, Jacques Lacan strove to disentangle psychoanalysis from all its psychological and normative tendencies.
帕梅拉康拉德，天体生物学家，美国航天局戈达德太空飞行中心，马里兰州
Pamela Conrad, astrobiologist, NASA's Goddard Space Flight Center, Greenbelt, Md.
在结语中，笔者综述了拉康的“主体”理论对人类认识自我的作用和影响。
In the Concluding Remarks, the writer summarizes the significance and affection of Lacan's Subject Theory in the self-realization of the human beings themselves.
就这方面而言，拉康的镜像阶段理论可以用来解释小说《宠儿》中的人物刻画。
In the regard, Lacan's theory of the mirror stage may shed light on the depiction of the figures in the novel Beloved.
本文试以法国心理学家雅克·拉康的主体理论来阐释这些人物的心理嬗变过程。
The purpose of this thesis is to delve into the process of"evolution"from personal and social angles in the perspective of Lacan's Theory of Subject.
面对当今主体间性缺失的现代教育，我们有必要重新审视拉康的这一主体理论。
The lack of intersubjectivity in modern education justifies the rethinking of Lacan s theory.
论文首先介绍了与这四个主要人物相关的六个拉康的理论概念：第一，镜像阶段；
There are six Lacanian concepts important to the analysis of the four main characters: first, the mirror stage;
拉康源自于精神分析治疗实践的独特的语言观是后现代主义思潮的重要理论之一。
The unique view of language of Lacan is one of the most important theories of postmodernism thoughts.
埃德娜抵制和颠覆的阶段同时也是她作为拉康式的主体重新建构新的自我身份的过程。
In the meantime, the stage of resistance and subversion is also her reconstruction of a new self identity as a Lacanian subject.
在引言中，笔者简略地介绍了拉康的生平和主要学术经历，以及拉康学说的理论渊源。
In the chapter of the introduction, the author aims to give a brief introduction to Lacan's life and his academic experience, and the source of his theory as well.
来自国际危机组织智囊团的阿纳嘎尼拉康坦慷慨激扬地说道：“我们为这一刻等了五年。”
“We've been waiting for this moment for five years”, enthuses Anagha Neelakantan of the International Crisis Group, a think-tank.
在拉康那里，无意识被赋予了语言学含意，因而，他的交流思想始终带有语言和无意识的色彩。
Unconscious has been endued with linguistics meaning in Lacan's context. Therefore, Lacan's thought of communication always go with language and unconscious.
在后现代语境中诸多对主体的消解理论中，拉康结构精神分析学的“主体”思想却显的卓尔不群。
Lacan's theory of subject is the most outstanding in the various contemporary similar Subject-dispelling theories in the sense of the post-modern understanding.
本文试图借助于拉康的镜像理论及弗洛伊德的心理分析来进一步阐述《毛猿》的主题及主人公的悲剧根源。
The paper tries to further decipher the theme of the play as well as the protagonist's tragedy by the devices of Lacan's mirror theory and Freud's psychoanalysis technique.
本文试图首先通过对拉康“镜像阶段”理论的深入研究来探讨其应用于民族文化身份意识形成研究的可行性。
This thesis attempts at first to study the feasibility of extending Lacan's "Mirror Stage" theory to the culture studies of the formation of national cultural identity.
本文试图通过运用拉康“镜像阶段”的相关理论解读男女主人公的心理特质，进而论证两者均是寻求一种自我认同。
This paper tries to use Lacan's "mirror stage" theory of interpretation of the psychological characteristics of Hero and Heroine. Both are seeking a further demonstration of self-identification.
本文试图通过运用拉康“镜像阶段”的相关理论解读男女主人公的心理特质，进而论证两者均是寻求一种自我认同。
This paper tries to use Lacan's "mirror stage" theory of interpretation of the psychological characteristics of Hero and Heroine. Both are seeking a further demonstration of self-identification.
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