这次和弦转变一共用了多少和弦，它们的变化率是规则还是不规则的？
How many chords are involved in this chord change, and are they changing at a regular or irregular rate?
如果某一个和弦持续的时间是两倍或者只有一半，那我们就有了不规则的和声改变——和声改变的不规则比率。
If one chord holds twice as long or only half as long, then we have an irregular harmonic change--irregular rate of harmonic change.
真正的工作是由那些知道如何演奏萨克斯管的人来完成的，或者是那些用几个和弦和一个摇摆节奏就即兴创作一段很长的旋律的人来完成的。
The real work was being done by people who knew how to play the saxophone or improvise a long melody with a few chords and a swing beat for support.
交响乐队是由各种各样的铜管乐器、木管乐器、打击乐器和弦乐器组成的。
A symphony orchestra is composed of a variety of brass, woodwind, percussion and stringed instruments.
我们要怎样才能听到和弦进行？
你们是怎么理解和弦进行的？
Anybody want to do — what's your understanding of what a chord progression is?
但他们使用了同一组和弦。
钢琴演奏的和弦充当伴奏与小提琴呼应。
我们接着来看包含四个和弦的和弦进程。
丹尼尔，你是怎么认为的，这里是什么和弦？
这叫做和弦的转位。
什么是和弦进行？
我们讨论了三和弦的根音。
人们可以同时处理语音和声音(就像音乐与和弦)。
Humans have no problems listening to speech and processing sounds simultaneously (think music and chords).
当我说和弦进行，我想今天我在黑板上写过这个词。
If I said "chord progression" — I think we have that term up on the board today.
三和弦的根音是在一个三和弦最底部的音。
The root of the triad is the bottom-most pitch of that triad.
这里出现了多少和弦，规则还是不规则的？
注意在开头，在开始的部分，和弦持续了4小节也就是8拍。
You notice at the beginning one-two, At the beginning these chords are holding for four measures or a total of eight beats.
我们抱着一把吉他坐着，我们中的一个会弹一个和弦。
它们在和弦的背景下,进行各自的演奏,而我觉得它是奇迹
They're all just doing their own thing in the context of the harmonies that are playing out here, and it's just magical I think.
终乐章需要听众全神贯注，直到最后一个和弦结束后才能放松下来。
The last movement forced a degree of awed concentration out of the listeners, finding release only with the final chord.
这样就有了一个有趣的问题，将这个关于和弦的疑问保留在脑海里。
So that was one interesting question that came up, so keep this in mind if you're wondering about this idea of chords.
钢琴弹奏了和弦，一连串的八度音，这部分，我们今后也会继续探讨。
Well, the piano is just playing chords, playing them in octave successions, and we'll talk about that a little bit more too.
麦克德莫特发现，人们演奏某个乐器的年头越多，他们就越喜欢和弦音。
McDermott found that the more years someone had spent playing an instrument, the stronger they preferred the consonant chords.
每个和弦持续的时间变得越来越短，越来越短，将我们带进这一段音乐的终止式。
The amount of time that each chord is holding is getting shorter and shorter and shorter as we drive into that cadence.
最下面的低音弦断了，使用摩托车的刹车线代替，因此一些和弦音会有嗡嗡的共鸣声。
The lowest bass string was broken and replaced with a motorcycle brake cable, giving certain chords a resonant buzz.
最下面的低音弦断了，使用摩托车的刹车线代替，因此一些和弦音会有嗡嗡的共鸣声。
The lowest bass string was broken and replaced with a motorcycle brake cable, giving certain chords a resonant buzz.
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