事实上,在世界首演上使用的手写乐谱的最后一页,就被当时的指挥家叶甫根尼·姆拉文斯基的泪水浸湿了。
Indeed, the final page of the ink-written score that was used at the world premiere is smudged and run with the tears of Yevgeny Mravinsky, the conductor.
席曼诺夫斯基是波兰现代音乐的奠基人,是20世纪上半叶波兰音乐创作领域最重要的代表人物。
As the founder of modem Polish music, Szymanowski is the most important representative figure in the Polish music creation field of the early 20th century.
在二十世纪下半叶充斥着“审美十字路口”的今天,波兰作曲家维托尔德·卢托斯拉夫斯基(1913-1994)以他非常独特的风格屹立在乐坛,他不屈服于任何趋势和潮流。
In twenty century next half while was being full of "the esthetic intersection", Pole composer Witold Lutoslawski(1913-1994) stands erect in the musical world by his special unique style.
“他这是拿我来取笑。”叶尔·莫洛夫碰了一下站在他身旁的拉耶夫斯基的膝盖,悄悄说道。
"That's his little joke at my expense," said Yermolov softly, poking Raevsky, near him, with his knee.
在这个漂亮的1988年柴可夫斯基的歌剧电影叶甫诳孜灏i金,导演彼得weigl试图解决,让每壹组的表演者的问题做他们最擅长的。
In this handsome 1988 film of Tchaikovsky's opera Eugene Onegin, director Petr Weigl attempts to solve the problem by letting each group of performers do what they do best.
在这个漂亮的1988年柴可夫斯基的歌剧电影叶甫诳孜灏i金,导演彼得weigl试图解决,让每壹组的表演者的问题做他们最擅长的。
In this handsome 1988 film of Tchaikovsky's opera Eugene Onegin, director Petr Weigl attempts to solve the problem by letting each group of performers do what they do best.
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