王：我认为剧中人物角色很多样化。
服装是剧中人物身份地位的象征。
Different styles of the costumes are used to reflect the status of different characters.
剧中人物的关系一直处于变化中。
剧中人：讲述人，野兔，乌龟，猴子，小鸟，老鼠。
Characters: storyteller, Hare, Tortoise, Monkey, Bird, Mouse.
是揭示剧中人物内心思想感情的一种浪漫主义手法。
Is to reveal the inner thoughts and feelings of the characters of a romantic way.
电影放映结束了，演出取消了，剧中人物也就渐渐远去了。
When the movie is finished or the show is canceled, the characters are over and done with.
他好长时间都没有忘记这出戏，他叙述了许多有关剧中人的事。
He remembered this play for a long time, and he talked a lot about the people in it.
这将为您的视频，增加许多人性化因素，显示出剧中人物的个性特征。
This will give your video more of a human element and bring out the personalities of the people in it.
例如搜索剧集《迷失》，搜索结果会同时显示搜到的视频和剧中人物的缩略图。
A search for the television show "Lost" brings up results for the show and also a thumbnail photo for each character.
女人不会频繁换频道——她们看节目，注意的是故事情节、剧中人物的情感和关系。
Women don't flick channels - they watch a programme and search for the storyline, the feelings and relationships of those involved in the story.
电视剧为了使观众更容易与剧中人物沟通，在人物形象塑造方面做了很大的改变。
To make it easier for viewers to communicate with people in the film, TV series has done a lot of changes in shaping of characters.
在去剧院看正式的秦腔演出之前，我先了解那些故事和剧中人物，这样就能理解表演。
Before going to formal performances in the opera houses, I studied the stories and characters so that I would understand the action.
只有当剧中人物像我们一样受了不应受的苦，经历了恐惧和痛苦，人们才会同情、恐惧。
Pity is occasioned by undeserved misfortune and fear by the suffering of one like ourselves.
在电影《血迷宫》中，科恩兄弟从一开始就设下层层圈套，让观众不断颠覆对剧中人物的看法。
From the start the Coen brothers have been clever mischief-makers, repeatedly pulling the rug from under their characters and the audience alike.
一点细微的差别就可以辨别出说话人，或者你可以具体一点写：剧中人说道，哭着，低声抱怨道，等等。
Nuance can be used to identify the speaker, or you can specifically write that your character said, cried, muttered, etc.
这部影片讲述了剧中人物结婚、离婚、交友、历经欢乐、苦涩和初恋，全剧以寇特兰开始大学生活为剧终。
The movie depicts the characters' marriages, separations, new friends, joys, traumas and first loves, ending with Coltrane starting college.
皮亚·缪森深度剖析剧中人物的想法，钻进角色的头脑之中，直到人物的形象和内心深处的情感完全展露。
She unravels the thoughts and crawls into the heads of the characters until an exposed picture of them and their innermost emotions are revealed.
本文的结语部分对歌剧中的人物性格刻画做扩展性探讨，对歌剧中人物刻画的一般性规律和特点进行论述。
The Conclusion of the article probes into the general issues of character personality presentation in operas, and discusses the general patterns and features of opera character portrayal.
要尝试在写作中反映出妥协，剧中人可以不把话说完，可以被打断，可以争吵……就像现实生活中的谈话一样。
Try to reflect that give-and-take in your writing. Characters can have unfinished sentences, be interrupted, and can argue--just like real conversations.
在戏剧中人们不可能呈现由多个同时进行的分枝构成的行动，人们只能局限在由演员在舞台上表演的动作部分。
In a play one cannot represent an action with a number of parts going on simultaneously; one is limited to the part on the stage and connected with the actors.
剧中人物杰尼-汉弗莱在第一季中还不满15岁，当时她被布莱尔-沃多夫为首的“酷一族”讥讽为幼稚天真。
Jenny Humphrey, not even 15 in series one of the show, is mocked for being young and naïve by Blair Waldorf's "cool group".
本文旨在从精神分析批评的角度，对剧中人物的性格及其成因和剧中所采用的“回忆剧”这一特殊方法进行分析。
By way of psychoanalysis, this thesis is meant to analyze the characters in the play, the causes of their personal traits as well as the device of "memory play" adopted by Williams in the play.
本文试图通过对这篇作品的主题和人物的分析，揭示美国梦的虚幻以及它对剧中人物性格造成的极深的扭曲与伤害；
This article attempts to make a thematic study of this play and its characters. The hollow promises of the American Dream greatly distorted the personalities of the characters.
它是川剧中的一种特殊技法，在几秒钟内可以多次变换脸部妆容，表演时常常用它来表达剧中人物的不同的思想感情。
It refers to the changing of masks in quick succession to show different emotions and feelings of the character in the play.
通过对戏剧进行人际意义的分析，使我们对戏剧中人物性格的分析又提供了一个新的角度，并对今后的话语研究起着重要作用。
This research gives us a new perspective to the study of characters in a play. Meanwhile, this research is also valuable to our future researches on interpersonal meaning in discourse analysis.
通过对戏剧进行人际意义的分析，使我们对戏剧中人物性格的分析又提供了一个新的角度，并对今后的话语研究起着重要作用。
This research gives us a new perspective to the study of characters in a play. Meanwhile, this research is also valuable to our future researches on interpersonal meaning in discourse analysis.
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