刘勰的批评观是什么?。
提倡智性文学是刘勰文学思想的主要内容之一。
Advocating rational literature is one of the main literary thoughts of Liu Xie.
刘勰的夸饰论在夸饰研究史上占有特别重要的地位。
Liu Xie's criticism of exaggerations has played an unexceptionally significant role in the rhetorical explorations of exaggerations.
因此，归根到底，刘勰的文学观乃是一种人生的哲学。
In the final analysis, then, Liu Xie's philosophy of literature is a philosophy of humanity.
刘勰是我国古代杰出的文学家，尤其擅长于文学评论。
As one of the most outstanding literary writers in ancient China, Liu Xie was particularly expert at literary criticism.
刘勰养气思想中的“气”属于自然体气、生理之气的范畴。
The writer thinks that Liu Xie's Qi is a kind of natural Qi.
刘勰认为，万物(包括人)生命自然的形式是美的形式产生的根源。
Liu Xie thought natural forms of living things including human beings are the source of forms of beauty.
刘勰的这一探讨不仅有很高的理论价值，也不乏指导创作的实践意义。
This discussion of Liu Xie's not merely has very high theory value, does not lack the literature meaning of guiding practice.
刘勰的《文心雕龙》是在中国文学批评史上最杰出的文学批评著作之一。
Dissertation Abstract Liu Xies Wenxindiaolong is one of the most prominent works of literary criticism in the history of Chinese literature.
本文认为，刘勰对文体的分类研究，更大程度上是受到西晋傅玄的启发。
However, this article holds that Liu Xie's categorized study of the literary form is elicited, to a greater extent, from Fu Xuan of the Western Jin Dynasty.
刘勰对诸子各家的见识和品评，对诸子文献的研究也是颇有参考价值的。
Liu Xie to the pre-Qinthinkers various experience and the appraisal, also quite has the reference value to the pre-Qinthinkers literature research.
并从语文教学的实际出发，挖掘刘勰《文心雕龙》对阅读教学的指导意义。
Combine to set out physically from the teaching of the Chinese reading, scoop out Liu Xie the Literature Mind and the Carving of Dragons to the leading meaning of the reading teaching.
刘勰的《文心雕龙》是六朝文化的孕生结果，又表征了六朝文化的最高水平。
Liu Xie's Mind of Literature and Carving Dragons is the fruit of culture of the Six Dynasties, and represents the highest level of that culture.
“风骨”是刘勰《文心雕龙》中的重要范畴，历来对它的解释可谓莫衷一是。
Strength of character "is an important part in Liu Xie's the Gentle Heart Carves Dragons, and there are different explanations for it."
列示短文《道行经后记》，就此文略说四个问题，证明刘勰晚年仍住在定林上寺。
This paper briefly discusses four questions according to the analysis on a Postscript to Daoxing Jing in order to testify that Liuxie lived the rest of his life in the Upper Dinglin Temple.
刘勰在《文心雕龙》中提出“情采”这一范畴，对艺术情感问题进行了深入的论述。
Liu Xie put forward the concept of emotion and diction? The issue of artistic emotion was deeply related.
刘勰(约公元465—532年)是《文心雕龙》作者，他是我国古代文学评论家。
Liu Xie (465-532 A. D.), a Chinese literary critic, was the author of WEN XIN DIAO LONG, a comprehensive work on literary theory.
本文对刘勰的文人观从三个方面进行论述：文人“才性”论，文人修养论，文人品行论。
The artile discusses LIU Xies viewpoint about literati in three ways:the discussion about literatis talent , the discussion about culture, the discussion about morality.
从孔子以降直至刘勰，对以“怨”评诗的理论作一番梳理，探讨“怨”在诗歌批评中的传统。
Meanwhile, it deals with the theories of poetry criticism with "grudge" from Confucius to Liu Xie.
深入挖掘和探讨刘勰的应用写作理论，对于加强应用写作学科的理论建设，无疑具有重要的意义。
Going deeply into exploring Liu Xie's theory of practical writing undoubtedly has an important significance for the theoretical construction of the subject of practical writing.
刘勰倾注其毕生的追求与思索而创作的体大思精的《文心雕龙》正是其美学生命与心理体验的显现。
Liu Xie devoted his lifelong pursuit and creative thinking to the masterpiece Wen Xin Diao long which manifests his aesthetic life and mental experience.
刘勰是我国秘书学史上对秘书工作研究卓有贡献的理论家，同时也是富有秘书工作实践经验的秘书人物。
Liu Xie was the theoretic expert in the ancient China secretary history who had devoted great to secretary study as well as an outstanding finger being rich in secretary experience.
刘勰所完成的是中国文学的本体意义批评，体现了强烈的文化责任感，具有实践致用型文化的特点和思辨性质。
Liu Xie completed the criticism of noumenal meaning, full of a strong sense of cultural duty, and characteristic of practice oriented culture and speculation.
“秀句”一语最早见于刘勰《文心雕龙》、钟嵘《诗品》。在六朝文学觉醒的大氛围中，第一批秀句应运而生。
The term "wittcism" was first used in Liu Xie's "Wenxindiaolong" and Zhong Rong's "Appreciation of Poetry".
我国南朝梁代文学理论家刘勰，在其巨著《文心雕龙》中对前代作家多有评述，其论往往精辟独到，令后人信服。
Liu Xie, a literature theorist of the Southern Liang dynasty, has commented on a proliferation of writers before the Southern Liang dynasty. His words are sharp and very convincing.
结合《神思》和《文心雕龙》中的相关篇目看，刘勰认为想象之物有其容，此观点不符合文学想象乃至下笔成文的实际情况。
Judging from relevant chapters in Shensi and Wenxindiaolong, Liu Xie held the idea that imagination has contents, which is incompatible with the real conditions in literary imagination and in writing.
刘勰在《文心雕龙》里表达了自己完整的文学教育思想，对文学服务于社会的功能和文学的教育教化作用给予了充分的肯定。
Liu-Xie expresses his literature educational thoughts in Wen Xin Diao Long, and affirms the function of literature in serving society and the educational functions of literature.
除意境优美的诗歌和散文外，还出现了针砭时事和文风的随笔和评述，这两种典范分别来自刘勰的著作《文心雕龙》和萧统的《文选》，这些作品是文学批评的早期形式。
Two of the prime examples are from the scholar Liu Xie and his text Wenxin Diaolong or The Literary Mind and the Carving of Dragons and Xiao Tong with his text Wenxuan.
刘勰《文心雕龙·知音》篇是中国古代较为完整的批评和接受理论，若以现代西方接受美学的视角进行观照，则“知音”批评也是以读者为核心建立起来的批评理论；
The "Zhi Yin"in Liu Xie's Carving a Dragon at the Core of Literature is the more perfect theory of criticism and acceptance in ancient China.
刘勰《文心雕龙·知音》篇是中国古代较为完整的批评和接受理论，若以现代西方接受美学的视角进行观照，则“知音”批评也是以读者为核心建立起来的批评理论；
The "Zhi Yin"in Liu Xie's Carving a Dragon at the Core of Literature is the more perfect theory of criticism and acceptance in ancient China.
应用推荐