伍迪•艾伦令我几乎笑破肚皮。
她把她的第一张唱片献给伍迪·艾伦，她说艾伦理解她的痴迷。
She dedicated her first album to Woody Allen, who she says understands her obsession.
在科波尔的作品之前，教育历史学家很少提到妇女和女孩；托马斯·伍迪1929年的作品是个明显的例外。
Prior to Kerber's work, educational historians barely mentioned women and girls; Thomas Woody's 1929 work is the notable exception.
伍迪的证据对“革命改变了人们对女性教育的态度”这一说法提出了质疑，尽管它可能加速了先前的趋势。
Woody's evidence challenges the notion that the Revolution changed attitudes regarding female education, although it may have accelerated earlier trends.
伍迪坐着没动，继续跟我亲切的聊天。
后来有一次，伍迪沮丧的坐在更衣室里。
鉴于伍迪坚定地讽刺意识，平衡总是周期性的。
Equilibrium returned periodically, courtesy of Woody's steadfast sense of irony.
伍迪的特征遍布在连环画的角角落落，但他不是作者。
Woody's DNA is here and there in the strip, but he did not write it.
更加毁灭性的对比是其他伍迪·艾伦晚期的电影。
The more damning comparison might be to, well, other late-period Woody Allen films.
现实中的巴黎，实话实说，比伍迪·艾伦心中的巴黎有趣得多。
Paris as it exists, warts and all, is much more interesting than the Paris of Woody Allen’s mind.
或许你已经听过伍迪·艾伦曾经说过这句话：“80%的成功是出现”。
夜晚，备受期待和瞩目的伍迪·艾伦指导的电影《午夜巴黎》为影展拉开帷幕。
The night also kicked off with Woody Allen's highly anticipated new flick, "Midnight in Paris."
如果国家是喜剧演员，美国将会是安德鲁·戴斯·克雷，而加拿大则是伍迪·艾伦。
If countries were comedians, the U.S. would be Andrew Dice Clay and Canada would be Woody Allen.
美国电影导演伍迪.阿兰说”别说上帝了，在星期天你连个修水管的人都找不到“。
“NOT only is there no God,” said Woody Allen, “but try getting a plumber on weekends.”
但是，当一群人出现的时候，伍迪戴上了他起保护作用的帽子，走进楼里去了。
But then, when a gaggle of pedestrians appeared, he jammed the protective hat on his head and dashed into the building.
在他事业早期伍迪·艾伦曾有一些与戴安·基顿合作的获得了辉煌成就的作品。
Earlier in his career Allen got some great work casting one-time squeeze Diane Keaton in several of his movies.
她从未听说过伍迪·赫勒尔德这个人，然而父亲却在五十五年间一直把这张照片带在身边。
She'd never heard of Woody Herald, but her father had carried that photo around with him for fifty years.
这些经过设置的笑话经常会减弱公式方程的重量，好像学着伍迪艾伦的调调，但缺少了笑料。
These attempted jokes usually fuse the weighty with the quotidian, in the manner of Woody Allen, only without the laughs.
对这些演员的同时代人来说，不会突然有一天，光看老电影和伍迪·艾伦的作品，就能对付的。
For the generations who grew up with these characters, there is no sudden age where we can only cope with period dramas and Woody Allen films.
在现实生活中，这位出类拔萃的人物并不起眼，他有点书呆子气，长得和伍迪·艾伦颇为神似。
In real life, the transcendent man is an unimposing figure who could pass for Woody Allen's even nerdier younger brother.
和伍迪一起工作很顺利，因为他谦虚、有能力、可靠、专注、忠诚、宽容、深刻、严肃并且诙谐。
Working with Woody was smooth sailing: he was modest, efficient, dependable, focused, loyal, generous, incisive, serious, and witty.
还会有人在参加派对时打扮成他们最喜欢的红发人士，例如孤女安妮、啄木鸟伍迪和芝麻街里的艾摩。
There will be parties at which revelers dress as their favorite redhead: Little Orphan Annie, Woody Woodpecker, Elmo.
显然，索伦兹先生绝不是新泽西版的伍迪·艾伦。(《战时生活》翻版自伍迪·艾伦的作品。)
Obviously, Mr Solondz was never going to be New Jersey's answer to Woody Allen.
格林有他自己的理论，其中的一条他总结为伍迪?艾伦的名言：“生活中80%的成功是自我表现。”
Why? Green has his theories, including one he attributes to an old Woody Allen saying: "Eighty percent of success in life is showing up."
在最后一张画中，伍迪已经逃离了人群躺在沙发上跟他的治疗师抱怨说：“我真孤单，都没有人跟我说话。”
In the last drawing, Woody lies on the couch, having escaped the crowds, and complains to his therapist: "I'm so lonely. Nobody talks to me."
伍迪的反应是，一个艺术家必须按照自己的直觉创作，而不能屈服于那些被阅读率调查驱使的商人们。
Woody's response was that an artist has to follow his own intuition, rather than obey some huckster driven by readership surveys.
伍迪的反应是，一个艺术家必须按照自己的直觉创作，而不能屈服于那些被阅读率调查驱使的商人们。
Woody's response was that an artist has to follow his own intuition, rather than obey some huckster driven by readership surveys.
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