There are many ways this might be done, but for a first experiment Dr Wong proposes zapping dust in the atmosphere with powerful lasers, to release electrons that can then combine with CO2.
要达到这个目标有许多种方法。但王博士建议的首选方法是通过高功率的激光轰击大气中的灰尘，释放出可以与CO2分子结合的电子。
There are many ways this might be done, but for a first experiment Dr Wong proposes zapping dust in the atmosphere with powerful lasers, to release electrons that can then combine with co 2.
要达到这个目标有许多种方法。但王博士建议的首选方法是通过高功率的激光轰击大气中的灰尘，释放出可以与CO2分子结合的电子。
Mr. Wong, a retired sign maker who speaks English, can still get by with his Cantonese, which remains the preferred language in his circle of friends and in Chinatown’s historic core.
王先生以前是做招牌的，现在退休了，会说英语。由于他的朋友圈和唐人街的历史核心区仍是使用广东话为主，他还可以用他的广东话勉强应付日常生活。
After years of waiting (because of legal issues), Wong Kar-wai can finally make his own biopic of Ip Man, Bruce Lee's master.
经年的期盼之后(涉及到法律问题)，王家卫最终拍摄了王氏版本的李小龙之师- - -叶问的传纪电影。
Tenor Kevin Thornton says, "It's difficult to express our emotions but we can think of no other way to better honor Wong Ka Kui and Beyond."
男高音歌手凯文·桑顿（Kevin Thornton）说：“要（用粤语）表达出我们的感情这很困难，但我们想不出其他方式来纪念黄家驹和Beyond乐队。”
But new research suggests that the frustrating balancing act Wong describes can actually be more effective than finding a sweet spot somewhere on the spectrum and sticking to it.
新的研究表明，Wong所描述的让人纠结的如何平衡的矛盾其实并非那么棘手，有比一成不变守株待兔更有效的方法。
Miss Wong: You can see that our prices are the most attractive in the world market.
王小姐：您应该知道我们的价格在整个世界市场是最优惠的。
In the final section of a three-part article, Julian L. Wong discusses how China can jump-start the solar industry by reorienting toward a domestic market.
在文章的第三部份，黄立安指出中国通过进行面向国内市场的调整，就能实现太阳能产业的助动起跳。
Debris from the main state of the disappearance, but the exposition can be seen in Wong Kar-wai film of the debris has actually also full of"main"and"a sense of history"at the scene.
碎片化的状态源于主体的消失，但通过论述可以看出在王家卫电影碎片化的呈现中其实又充满了“主体性”和“历史感”的痕迹。
Debris from the main state of the disappearance, but the exposition can be seen in Wong Kar-wai film of the debris has actually also full of"main"and"a sense of history"at the scene.
碎片化的状态源于主体的消失，但通过论述可以看出在王家卫电影碎片化的呈现中其实又充满了“主体性”和“历史感”的痕迹。
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