Weta Digital is named after the Giant Weta, the heaviest insect in the world.
威塔数码的名字来源于世界最重的大昆虫沙螽（长须无翅大蝗）。
Weta workshop enlarged it, but Peter Jackson wanted it bigger, so they made it bigger.
然而彼得·杰克逊还觉得小，于是维塔公司又把它加大了一些。
Now he heads up the Weta department responsible for painting the surfaces of characters.
现在他是维塔一个部门主管，负责给角色模型的表面上图。
The quality of the graphics we handed off to WETA and ILM for final production was superb.
的图形，我们传递给最终生产威塔和ILM的质量很高。
The one in the picture, isn't just the largest weta, it's the world's largest insect ever photographed.
照片中的这只并不是沙螽中体型最大的，最大的沙螽还没有被人拍到过。
Rendering Gollum would often take six hours for one shot, so WETA would leave the shot to render over night and check the results in the morning.
渲染咕噜的一个镜头通常要花去大概6个小时的时间，所以，维塔工作室必须让计算机晚上进行渲染工作，早晨工作人员检查渲染结果。
Once I heard that Weta Digital was involved and that the man who shot the Lord of the Rings trilogy, Andrew Lesnie, was the cinematographer, I got very interested.
当我听说维塔数字公司参与了制作，并且电影摄影师是拍摄了指环王三部曲的安德鲁·莱斯涅，我就非常感兴趣。
Feng called on special-effects teams from South Korea and France, as well as New Zealand’s Weta Workshop—of Lord of the Rings fame—to bring the horror to the big screen in brutal detail.
为了在大银幕上将地震的恐怖细节在大银幕上真实再现，冯小刚启用了来自韩国和法国的特效团队，甚至还请来了曾经为指环王系列影片制作特写而鼎鼎有名的新西兰威塔工作室。
The film's visual effects supervisor, Joe Letteri at Weta Digital, in New Zealand, and his team created a sculpture which was scanned using lasers to create a digital, three-dimensional model.
新西兰维塔数码的乔•莱特瑞是这部电影的视效总监，他和他的团队制造了一个雕像，然后用激光对雕像进行扫描，从而创造了一个数码的三维模型。
The film's visual effects supervisor, Joe Letteri at Weta Digital, in New Zealand, and his team created a sculpture which was scanned using lasers to create a digital, three-dimensional model.
新西兰维塔数码的乔•莱特瑞是这部电影的视效总监，他和他的团队制造了一个雕像，然后用激光对雕像进行扫描，从而创造了一个数码的三维模型。
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