In fact one such, Imai Tadashi's Until We Meet Again (1951), had initially been proposed when Japan was invited to submit a film at Venice, but it was Rashomon that was ultimately chosen.
事实上,当日本受邀提交一部影片参加威尼斯电影节时,最初正是此类影片中的一部——今井正(ImaiTadashi)的《待到重逢时》(Until We Meet Again, 1951)获得了推荐,不过最终被选中参赛的却是《罗生门》。
For All we Know, we may never meet again, before you go make this moment again, we won't say good night, Until the last note, I 'ii hold out my hand, and my heart Will be in it.
我们都知道,我们可能永不会再见,在你走前,再让这一刻甜蜜。我们不会说晚安,直到最后一个音符,我便伸出我的手,我的心也在手中。
For All we Know, we may never meet again, before you go make this moment again, we won't say good night, Until the last note, I 'ii hold out my hand, and my heart Will be in it.
我们都知道,我们可能永不会再见,在你走前,再让这一刻甜蜜。我们不会说晚安,直到最后一个音符,我便伸出我的手,我的心也在手中。
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