The thesis aims to analyze the Chinese traditional figure painting, the figure painting of Chen Hongshou and the figure painting of Zengjing.
本文就此问题将对中国传统工笔人物画和陈洪绶人物画以及曾鲸人物画,作具体的分析。
Article iv combination of representative case studies of traditional ink painters Figure Painting language in the contemporary performance of the new features.
文章第四章结合有代表性画家的案例浅析浅析传统水墨人物画笔墨语言在当代新的表现特点。
Draw nutrition from ancient traditional painting. Explore article language of modern wash and figure painting unceasingly and enrich expression about figure painting.
从古代传统绘画中汲取营养,不断探索现代水墨人物画的艺术语言,丰富人物画的表现力。
In drawing figures, Zhu Wei has broken away from the traditional meticulous figure painting rules that figures have to be in full length but not part, and no close-up.
对于人物的描摹,朱伟则摆脱了传统水墨工笔人物皆是全身而不可局部、不可特写的旧规条。
Third, find out color view of subjectivity and representative figure and works reflecting it to analyze from China's traditional painting.
第二部分,从西方绘画中找出关于主观性色彩观点和体现的代表人物和作品进行分析。
Third, find out color view of subjectivity and representative figure and works reflecting it to analyze from China's traditional painting.
第二部分,从西方绘画中找出关于主观性色彩观点和体现的代表人物和作品进行分析。
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