Rhythm syntax was put forward in the mid and late 1990's. However, the thought that grammar and rhythm interact with each other was reflected in A Grammar of Spoken Chinese written by Mr.
“韵律句法学”创建于二十世纪九十年代中后期，但早在赵元任的《汉语口语语法》中就蕴含着语法与韵律相互制约、相互影响的思想。
And this paper seeks to expound the language style of Nuo opera in Qianbei in terms of vocabulary, syntax, phonological rhythm and rhetoric, and then analyzes the reasons of the formation.
文章从词语、句法、语音节奏和修辞等四个方面来论述黔北仡佬族傩戏剧本的语言风格，并分析其形成原因。
The syntax, rhythm, imagery, style and fuzziness, etc. constitute in full the aesthetic beauty of classical Chinese poetry.
诗歌中的句法、韵律、意象、风格、模糊性等审美构成尽显古诗之美。
This issue increases from the writer and work quantity, syntax breakthroughs ordinary rhythm, work artistic skill complicated, and pursues new change.
这一期从作家与作品数量大增，句法突破普通节拍，作品的艺术技巧繁复且追求新变。
This article explores the transmission and loss of the beauty of rhythm from the levels of phonetics and syntax in three of its Chinese versions.
从音响节奏美、句式变换的画面节奏美两个方面入手，探讨培根的《论读书》其三个中译本翻译中节奏美传达的得与失。
This article explores the transmission and loss of the beauty of rhythm from the levels of phonetics and syntax in three of its Chinese versions.
从音响节奏美、句式变换的画面节奏美两个方面入手，探讨培根的《论读书》其三个中译本翻译中节奏美传达的得与失。
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