Second chapter poetry language and novel language version outside characteristic differences.
第二章诗歌语言和小说语言文本的外部特征的区别。
The fuzziness of poetry language, which contains the fuzzy beauty, composed the aesthetic poetics of the poetic art.
诗歌语言的模糊性蕴含了诗歌艺术的模糊美，构成了诗歌艺术的审美诗性。
We can find it right from Coleridge's ideas about the choice of theme, the refining the poetry language, and the restraining poet feelings.
柯勒律治的文学主张，无论是文学从题材的选择，还是诗歌语言的提炼，以及诗人的情感抒发上的节制，都恰到好处。
His personality shows thoroughly in his real detailed description in artistic conception and the style of repeated deliberation in the poetry language.
他的现实主义个性化特质，突出表现在意象化的细节真实描写和诗歌语言方面的“苦吟”风格。
The poetry language has the very strong fuzziness and possesses the artistic charm that is implicit and refined and simple in language but profound in meaning.
诗歌语言有很强的模糊性，具有含蓄蕴藉、旨在言外的艺术魅力，能唤起人们丰富的联想和想象，便于表达复杂、微妙、丰富的思想感情。
Poetry also carries a special meaning for exiles, who must sustain themselves with what they can carry, their lightest but most precious burdens being memory and language.
诗歌对流放者而言也含有特别的意义，流放者必须以自己的负荷能力养活自己，他们最轻但却最珍贵的负担便是回忆和语言。
Literature from the perspective of an intermediary, as defined in the language of poetry and stories language.
借鉴文学中介论的观点，界定了诗歌语言和小说语言的范围。
Stevens celebrates the bourgeois world over and over again in a poetry that is about and itself enacts our perpetual recreation of reality through the mind and its special medium language.
透过思想及它的特殊媒介语言，史蒂文斯用诗歌一遍又一遍地热情赞颂他的中产阶级世界，他的诗既围绕着我们源源不断地再创现实，诗歌自身又在其中扮演角色。
This small novel is very close to poetry in its spare and beautiful use of language and its use of symbols.
这部小小说使用的美丽语言极其符号可与诗歌媲美。
Since then, he has become best known for his camping holidays and his Flemish-Dutch language haikus, a form of Japanese poetry.
从那以后，他最出名的就是他的露营假期和他的弗拉芒-荷兰语俳句，一种日本诗歌的形式。
Chapter III of the language of poetry and stories language text of the internal characteristics of the difference.
第三章诗歌语言和小说语言文本的内部特征的区别。
It's not a question, in other words, of poetry or of a novel being somehow or another strictly a matter of poetic language.
毫无疑问，诗歌或小说是，诗化语言的严格体现。
This class will help you develop a keen eye for figurative language, as well as an appreciation for story details, poetry, and vocabulary.
本课程将帮助您形成发现形象化语言的敏锐眼光，以及培养对故事细节、诗歌和词汇的欣赏水平。
Poetry and fiction are both the arts of language, but they differ from each other in formal and aesthetic aspects.
诗歌与小说同为语言艺术，却在形式特征和审美功能上有很大的不同。
Language arts, with a direct interpretation of poetry to Expresses the human self-sovereignty will characteristic, can achieve the highest effect most quickly.
语言的艺术中，用诗歌直接阐释，表达人类自我主权意志特性，能最快地达到最高效果。
The language of poetry cannot be too ambiguous, by nature, it relies on specific, concrete expressions to convey the essence of a feeling.
诗歌的语言不能太含糊不清；从本质上来讲，它依靠确切、具体的词语来表达情感的本质。
For poetry, and those poets express divinity in human world, because of the varieties of characters (language), the varieties in rhythm of poetry are induced.
对于诗歌，对于在人类世界表达神性的诗人，因为文字(语言)的差异，也就导致了诗歌节律的差异。
This is the first story on this list that has more normal language and flow instead of using poetry, rhyming or lacking a real story.
这是书单中第一个没有使用诗歌、押韵又缺乏真实性的故事，它使用更平实普通的语言。
But poetry is language speaking itself, hence, the creation and criticism of the New poetry should be measured by "with or without artistic conception in it".
而诗是语言自己在说话，故新诗的创作与批评都应以有无“意境”作为尺度。
Since its birth, modern Chinese poetry has been discussed twice in terms of language and form, but in vain.
现代汉语诗歌自诞生以来，其本体建设在语言与形式方面展开过两次重要的讨论与建构工作，都未竟其功。
Iconicity functions both in cognition and representation. As a rhetoric device, language iconicity is found in every aspect of poetry helping to create images and bring about harmony.
象似性体现于人的认知过程中，又作用于人对客观世界自然、真实的描绘，语言象似性遍及诗歌的各个层面，起到修辞的效果，帮助实现诗歌形意和谐的审美功能。
As received measure, poetry means that thinking listens attentively to language.
诗作为接受的尺度，意味着思想对语言的倾听。
Modern poetry through the old style poetry metrical bound, the language is colloquial and prose style, the language of prose and shortening the distance, but still has its own characteristics.
现代诗歌冲破了旧体诗的格律束缚，语言趋于口语化、散文化，其语言与散文的距离缩短，但仍具有自己的特点。
In the 20th century, Chinese poetry successfully accomplished its stylistic language transition from classical Chinese to vernacular.
20世纪，中国诗歌成功地完成了文体语言(由文言向白话)的转换。
The goal of poetry translation is the extension of sensuous experience of target language through drawing the heterogeneous experience of the source language.
诗歌翻译的目标即通过汲取源语的异质体验完成目的语的感性体验的延伸。
New poetry by its own unique language (" poet's language "), it is highly concise, jump, full of suggestive.
新诗采用了自己独特的语言表达方式(“诗家语”)，它高度凝练，大幅跳跃，富有暗示性。
New poetry by its own unique language (" poet's language "), it is highly concise, jump, full of suggestive.
新诗采用了自己独特的语言表达方式(“诗家语”)，它高度凝练，大幅跳跃，富有暗示性。
应用推荐