"Performing art language" concepts should replace "stereotyping" concepts in studies of local operas.
应以“舞台艺术语言”的概念取代地方戏研究中“程序”的概念。
Similarly, in the field of Chinese opera studies, western theories have been regarded as the only universal criteria to judge and evaluate the local operas in China.
同样，在戏曲研究中，西方的理论也时常被当作具有普世意义的绝对标准，并以此来衡量、要求中国本土的事物。
The problem is that although opera studies have to borrow western ideas and research methods, the local operas themselves cannot be entirely measured up to western theories.
问题在于，戏曲研究虽无法不借重西方学术的一些观念和方法，但戏曲艺术本身却又与西方的戏剧理论不尽吻合。
Therefore, Shen's Chinese operas are worthy of more attentions and further studies.
沈起凤的戏曲作品是值得重视和进一步研究的。
Therefore, Shen's Chinese operas are worthy of more attentions and further studies.
沈起凤的戏曲作品是值得重视和进一步研究的。
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