On philosophical, abstract ink is beyond subject-object dichotomy, beyond time and space.
就哲学层面而言，抽象水墨是超越主客二分的，超越时间与空间的。
It discloses the exhaustion or spatialization of western literary creation and criticism and challenges the dominant subject-object dichotomy which is typical of western epistemology.
它揭示了西方文学创作与文学批评的“枯竭”或“空间化”，并向代表着西方认识论的支配性主客二分思想提出挑战。
It discloses the exhaustion or spatialization of western literary creation and criticism and challenges the dominant subject-object dichotomy which is typical of western epistemology.
它揭示了西方文学创作与文学批评的“枯竭”或“空间化”，并向代表着西方认识论的支配性主客二分思想提出挑战。
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