Furthermore, through the discussion of the unique narration tense and the art of narration time, the thesis intends to explore their fancy for timelessness and their emphasis ontime-humanization.
而且，通过探究两位作者独特的叙事时态和叙事时刻艺术，从而征显出他们对“无时间性的醉心”及对时间人文化的重视与挖掘。
Through textual analysis, we pointed out how the functions, Settings and time of narration were shown on TV, as TV talk show is a kind of special and spatiotemporal narration.
通过深刻的文本分析，笔者探讨了电视谈话节目作为一种特殊时空中的叙事，其叙事功能、叙事情境、叙事时间是如何呈现的。
Narration is concerned primarily with narrative form, and its main content is narrative time and angle.
叙事学关注的中心在于叙事形式问题，其基本内涵主要是叙事时间和叙事角度问题。
In any time, The daily life narration is an important constituent of literary narration.
在任何时期，日常生活叙事都是文学叙事的重要组成部分。
It rejects the traditional linear narration, cutting the story into many "tiny plots" in disorder and linking them again, thus making the narrative time quite free and get great "liberation".
它一反传统小说的线性叙事，把多条故事线索切割成多个“情节小块”打乱顺序穿插起来，使叙事时间得到了空前的“解放”。
From childhood when Grandma tells us, "Once upon a time," to old age when we recall the good old days, we deal with narration all the time.
从儿提时代祖母给我们讲述“很久很久以前”的故事，到垂垂老矣时对美好往昔的回忆，我们无时不刻都在进行叙述。
The narrative character of novels is similar to that of a drama in many aspects of time, space, narration, effects and so on.
小说的叙事性与戏剧的叙事性在时间、空间、叙述、效果等方面有许多相同点。
Whereas movies borrowed from traditional novels the linear narration, they in return offer the latter such new narrative techniques as the "spatialization of time".
传统小说的线性叙述曾给电影的叙事提供了必要的借鉴，同时电影为当代小说“反哺”了“时间空间化”等新的叙述方法。
It, combined changeable elements in time and space, broke the traditional way of narration.
打破传统的叙事结构，镜头在时间、空间上的跳跃多变。
The study of "Text time" is one of the important theoretical constituents of Classical Narratology. The "timeless" narration is a key symbol in the Avantgarde fictions of China.
“本文时间”探讨是西方经典叙事学理论的重要组成部分之一，中国先锋小说的一个关键标志就是它的叙述的“无时性”。
The article researches the influencements that narration in Buddhist Scripture had on the style of writing of the mid-ancient Zhiguai stories while Buddhism spread to China in the mid-ancient time.
佛教文化在中土的深入传播，佛经故事虚构性与叙事性在中土叙事传统中的渗入，使得孕育在神话叙事与历史叙事母体中的中古志怪故事开始走向了小说文体的成熟。
The stagger narrative time order, the compressed time length and repeating narration are the main aspects of the mental time mode.
这种强调心理、情绪的叙事时间模式呈现出叙事时序的错位、时长的被压缩和重复等。
With prominently objective narration, New Jottings, permeating with emotional thought patterns of old Chinese, was a forceful impact on the aesthetic of novels at that time.
这种情节结构具有明显的主观化叙事倾向，体现了中国传统的意向思维特点，它对当时的小说审美观念是一次有力的冲击。
His framework narration and Unreliable narrator enrich the content of the novel and his colloquial language of typical 1950s' students brings readers back in time.
三层叙事和不可靠叙事者的使用显示了塞林格娴熟的写作技巧，对50年代青少年口语的演绎更使该小说与众不同，技高一筹。
The unique historical narrative mode which has gone beyond time and space created by New Stories and the indiscriminate historical narration formed the correspondence which goes beyond time and space.
《故事新编》所创造的跨越时空，杂陈古今的独特的历史叙事模式与“新历史主义”小说古今杂糅杂陈、寓庄于谐的历史叙事之间形成了跨越时空的契合。
Visual narration and literary narration are similar in terms of narrating time and space, the Angle and structure of narration and some details.
影像叙事和文学叙事在叙事的时空感觉、叙事的视点确定、叙事的结构安排，包括一些细节的处理，都有一些相同之处。
The myth is a type of narration and its validity transcends the space-time limits.
作为一种叙述，神话的有效性是超越时空的。
The paper, with reference to the sample of Zhongqingliji, studies the general workmanship and devices covering space-time, verse infix, imagery, and the system of narration.
以《钟情丽集》为考察中心，可总结出明代中篇传奇小说在叙事时空、诗词插附和意象叙事以及叙事制度等方面的基本叙事技法和策略。
From the journal of an African adventurer, the legend of the Sun Stone is an exciting narration about an extraordinary civilization unexpectedly lost in the folds of time.
从一位非洲冒险家的日志中我们看到了这个关于“太阳石”的传说，以及这个独特的迷失的城堡。
For a long time after its publication the book has been not welcomed due to its theme, narration techniques and time order.
由于它的主题、结构和时间顺序，小说出版后很长一段时间内很不受欢迎。
The former shows the subversion to the traditional ways of narration by crossing the narration, breaking up the time and space and doing away with the character's clue.
前者指明了这一系列电影通过“交叉的叙述”、“分立的时空”、“失线的人物”对传统电影叙事的颠覆；
The former shows the subversion to the traditional ways of narration by crossing the narration, breaking up the time and space and doing away with the character's clue.
前者指明了这一系列电影通过“交叉的叙述”、“分立的时空”、“失线的人物”对传统电影叙事的颠覆；
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